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About this episode
What if the way we say goodbye could heal both our hearts and the planet?
In this profound episode of Don't Be Caught Dead, we sit down with Zimmi Forest, fibre artist, environmentalist, and creator of handwoven eco-coffins that challenge our thoughts on how we bury the dead. Zimmi doesn’t just make baskets; she crafts vessels that reconnect us to nature, turning invasive weeds into beautiful, biodegradable farewells.
From foraging materials in the wild to guiding families through the emotional process of weaving a loved one’s final resting place, Zimmi’s work is a powerful reminder that death doesn’t have to be disconnected from life’s natural cycles. Whether you’re curious about sustainable funerals or simply seeking a fresh perspective on mortality, this conversation will leave you inspired to rethink the way we honour those we’ve lost—and how we might one day be honoured ourselves.
Remember; You may not be ready to die, but at least you can be prepared.
Take care,
Catherine
Show notes
Guest Bio

Fibre Artist, Environmentalist, and Creator of Handwoven Eco-Coffins
Zimmi Forest is a fibre artist and environmentalist whose work explores the deep connection between nature, life, and death through weaving. With a background in basketry and organic materials, she creates handwoven pieces, including eco-friendly coffins, that honour natural cycles and sustainable living.
Inspired by the textures and resilience of nature, her art reflects themes of transformation, impermanence, and renewal. Through her practice, Zimmi invites people to rethink traditional funeral practices and embrace more meaningful, biodegradable alternatives.
Photographers include: Jo Immig, Ana Lazovic, Davina Bambrick and Jackson Hayat.
Summary
Key points from our discussion:
- Eco-conscious farewells: Why Zimmi swaps toxic funeral materials for invasive plants like cat’s claw vine.
- The healing power of making: How weaving a coffin can transform grief into a sacred, communal act.
- Beyond cremation: The surprisingly poetic case for natural burials (and what most people don’t know about ashes).
- Death’s dirty secret: The greenwashing in funeral industries—and how to spot it.
- Finding beauty in decay: Zimmi’s journey from artist to death educator, one handwoven stitch at a time.
Transcript
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People go, oh, why would you
burn something so beautiful?
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And it's like, well, you
are gonna burn a coffin.
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So why?
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Why actually pull down a tree?
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Why varnish wood?
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Why do all of those kind of things
and put those into the atmosphere when
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People go, oh, why would you
burn something so beautiful?
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And it's like, well, you
are gonna burn a coffin.
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So why?
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Why actually pull down a tree?
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Why varnish wood?
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Why do all of those kind of things
and put those into the atmosphere when
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you've got something that's invasive
that's killing our needed forests.
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And why wouldn't you just use that?
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Welcome to Don't Be Caught Dead, a
podcast encouraging open conversations
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about dying and the death of a loved one.
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I'm your host, Catherine Ashton, founder
of Critical Info, and I'm helping to
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bring your stories of death back to
life because while you may not be ready
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to die, at least you can be prepared.
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Don't be caught dead.
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Acknowledges the lands of the
Kulin Nations and recognizes their
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connection to land, sea, and community.
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We pay our respects to their
elders past, present, and
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emerging, and extend that respect.
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To all Aboriginal and Torres
Strait Islander and First
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Nation peoples around the globe.
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Today I'm speaking with Zimmi Forest.
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Zimmi is a fiber artist and
environmentalist whose work explores
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the deep connection between nature.
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Life and death through weaving.
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With a background in basketry
and organic materials.
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She creates handwoven pieces including
eco-friendly coffins that honor
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natural cycles and sustainable living.
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Inspired by the textures
and resilience of nature.
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Her art reflects themes of transformation.
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Im permanence and renewal.
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Through her practice, Zimmi invites
people to rethink traditional
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funeral practices and embrace more
meaningful biodegradable alternatives.
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Thanks for being with us today, Zimmi.
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So what inspired you Zimmi To
work with natural materials?
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It happened quite early on.
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It was very much a aha moment when
I was listening to the radio and
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they were talking about all the
pollution and all of the destruction
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that was happening in the world.
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And it, yeah, just impacted on me.
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And so I always looked for ways that I
can have less of an impact and a really
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low carbon footprint on the planet and
use resources in the best possible way,
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and that played out through my life.
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At every stage really like, so
when I would go out in the car, I
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wouldn't go out just for a drive.
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I would always have like that
permaculture way where you have at
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least three things that you've gotta do.
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So when you use a resource, you use
it so that it's spread amongst a
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whole lot of different activities.
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And the food, I would always buy
organic and I really wanted to
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have a career that was the most
sensitive to the planet as possible.
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And have you always worked iwi basketry?
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Tell me about the evolution of your arts
practice and how it's evolved over time.
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Hmm.
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Okay.
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So I was very much into art as a
kid, but my mother was also studying
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art as a mature age student,
and that kind of impacted on me.
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And she brought home all these
beautiful things that she'd make.
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Paint.
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And so that was something that I imagined
and I, I was very textural, very much
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wanting to touch things and I textured
meant a lot to me, so I would make things.
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And it just kind of grew from that
where I'd, I started making birthday
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cards and gifts for people and then
it just kind of grew into basketry.
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And yeah, I do remember having
a moment when I was in early
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teens going to a Steiner.
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Um.
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A school fair.
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A faint.
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A faint, sorry.
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And just seeing a, a display of
baskets and it was like another
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force, fourth dimensional, some other
force just pushed me towards these
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baskets and it was like either I had
to ingest them or they would eat me.
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And so it was like, I didn't really
make sense of it at the time, but
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then when I got into basketry and I
remembered that moment, it was like,
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okay, it was definitely life telling me
that that's what I was gonna be doing.
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And yeah, it's, it's like
I love it as a profession.
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I love it because I'm always either
in nature or working with nature or
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talking about nature, but unfortunately
basketry in Australia is, is not
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very well respected and yeah, so.
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I just had had to live with that for
many years of not making an income
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and also people just going like, why?
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Why would you make a basket?
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Like, why would you do that?
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Thankfully, Instagram and
COVID changed all of that, but
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it's been a long time coming.
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I've been doing it for 30 years and
of that, it's only probably the last
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10 years that people have started
going, oh, that's pretty cool.
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That's great.
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I think it may have been
COVID where people decided,
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oh yeah, I'll create a basket.
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I've got time on my hands.
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And then they appreciated
how damn hard it is, how much
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time goes into it.
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Yeah.
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And what I find though is most
of the baskets that people make
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from material that they purchased.
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Yeah.
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And, and that always saddens me because.
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There's absolutely no reason for
us to use someone else's resources.
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I could literally live in a 100
meter radius of my house and never
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leave and make a basket every day.
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There's so much material.
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There is so many resources that people
can access if they only thought about
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it and had the willingness to do it.
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So tell me, you live on Byron Bay Coast
and in your local 100 meters, what can you
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find that you could make a basket out of?
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One of my favorite, which is an
indigenous fiber, is the what's now
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called the PAB Beam Palm, which in this
area used to be called the Bangalore
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palm, but the indigenous people
have asked us to call it PAB Beam.
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It's an oconto phoenix cunning ana, and it
has three sections of it that can be used.
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It has a panicle, which falls down,
and it looks a bit like a chandelier.
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That's what goes into flour and
seed, so I can use those and then.
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Before that falls down on it is a space.
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A space is a sheath over a flowering body.
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And so that falls off and
that's beautiful to work with.
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And before that even falls out
is you get this sheath, which
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is attached to the leaf stalk.
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And so all three of those are used.
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The indigenous people used the
sheath and that was a water
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carrier or a food carrier.
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And that's an amazing piece of material.
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It's when it's wet, it's like leather.
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It can also look like a cow hide.
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It's absolutely stunning as far as not
the shape of it is a cow hide, but the
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texture and the way that it's colored
it, it looks like it has all these spots
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all over it, if, depending on the weather
that it's been through, and it has all
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the different shades of, and tones of
the brown and brown, gold and white, all
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of those colors, so it's very beautiful.
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It's interesting that when you talk about
the materials that they seem to have
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such diversity in, obviously the state in
which they're in, whether they're fresh or
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whether they're, they're drying out, and
also the fact that you can then actually
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wet them again and it changes their
properties and how you can work with them.
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So it sounds like that there
is a lot to have learn.
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How have you evolved
your practice over time?
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How have you gained your knowledge?
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It.
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It is all experience.
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I have done some basketry glasses.
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When I first started, there weren't
very many basket makers in Australia,
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and of course this was pre-internet,
and so the craft magazines and textile
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fiber forum were places that would
either hold workshops or advertise
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or have articles about practitioners.
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And so I guess I just.
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My main thing, which is the lucky thing,
which unfortunately people who are on
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Instagram don't get these days, is I
develop my own voice because apic Beam,
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Palm actually in, when I was living
in Sydney, that was on the ground and
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I was like, I cannot throw that out.
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That is so beautiful.
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There's got to be
something I can do with it.
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And so it was all play and so I was able
to just play with materials for the first
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couple of years, I reckon I made so much
stuff that was really poorly put together
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or I didn't understand the materials, so
it was all practice, it was all doing.
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Basketry is doing, I can use the
words, I can explain how to do things
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and you know, like you could possibly
catch on, but it's all in the doing.
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So I, I've spent 30 years doing it,
so I, I know things and it's also
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working with the cycles and the
seasons, like the picker beam palm.
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We've had an amazing season of the PAB
be dropping its spades and the panicles
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because we've had heaps of rain.
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But then if we go into drought,
even in the North coast, a drought
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isn't that bad and it's, you
know, could be a couple of months.
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It won't drop anything.
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So you just know thing you,
you just become so familiar.
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And that's the thing with all.
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Makers and doers is they get a feel for
it, they develop a relationship, and it's
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all in the relationship that you have with
the seasons, the nature of it, the actual
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plants that you, you know, when it's
time to pick, you know, and that's the
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indigenous people, they're known for that.
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They just have that ancestral
lineage that they know these things.
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And so, yeah, and that's what
I've developed is a knowing of my
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particular fibers and my, my area.
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And also it's, from my understanding
also the, the tactility of it and, and
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how you use your hands is something that
you really have to learn as well when
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you're dealing with different materials.
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It's not just the materials
themselves, is it?
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That's fine.
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But I take that for granted because it's
been so much part of what I do and I
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guess it's, it's people's background.
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Like if you had a grandmother who knitted
or crocheted or a mother who did those
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kind of things, or even a father who
played with the, whether it was the car
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or the lawnmower or even made things.
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And I've gotta, you know, be careful
because men actually used to make baskets.
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And if you look in European countries,
it's still men making baskets.
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So it's not that men never, in
Australia, people have a prejudice
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against men making baskets.
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It's kind of like below their
standards, but it's always been
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in, in the indigenous culture too.
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Men made certain fish nets and
certain parts of the process.
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But anyway, yeah, just for me,
I've just spent a hands on person.
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I and I, you know, I grew up cooking,
my parents had a restaurant, so
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hands were always part of doing.
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00:10:16,420 --> 00:10:19,960
And I guess also I was always
coordinated 'cause I did a lot
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of sport when I was younger, so.
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Yeah, it was just something
that I naturally fell into.
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But I do see that when I'm teaching
that some people aren't so natural
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with it or it's not something
that it's familiar to them.
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And I guess that's something
that I teach so that they get
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through that and I help them.
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But yeah, I think most people
have a certain amount of hand.
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I have coordination.
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00:10:40,680 --> 00:10:42,839
Well, you haven't met me.
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Is in one of your classes.
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The thing is, I reckon
I could get you through,
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I have no doubt.
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But the thing that, um, we met each other
at the Sydney Death and Dying Festival
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last year, and your work is just amazing.
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And, and the work that I was
looking at was your, your coffins.
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How did your arts practice
evolve into coffins?
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Was there a particular incident or?
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It's been a few things actually.
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It's also got to do with
the indigenous people.
210
00:11:12,229 --> 00:11:18,079
Since they have been coming up and being
promoted in the art world and basketry
211
00:11:18,079 --> 00:11:19,115
is very much something that they do.
212
00:11:19,905 --> 00:11:23,715
There's been a bit of a transition
stage that we're going through,
213
00:11:23,715 --> 00:11:26,955
and indigenous people are taking
back a lot of their basketry.
214
00:11:27,015 --> 00:11:31,215
When I say taking back, not necessarily
taking off us because everyone has
215
00:11:31,215 --> 00:11:34,875
a lineage in basketry and making,
but yeah, they're reclaiming it.
216
00:11:34,875 --> 00:11:39,045
And so government organizations are
really employing indigenous people over
217
00:11:39,135 --> 00:11:41,265
European people for basketry classes.
218
00:11:41,265 --> 00:11:44,506
So it was all of those
gigs that I used to get.
219
00:11:45,390 --> 00:11:48,330
Were take like were no
longer available to me.
220
00:11:48,600 --> 00:11:53,340
And it was perfectly timed at the
stage where I'd just come across.
221
00:11:53,430 --> 00:11:58,590
I had been invited to start teaching
weekends of foraging and making
222
00:11:58,590 --> 00:12:00,030
baskets out of the cat store.
223
00:12:00,450 --> 00:12:03,690
'cause one of our local
land care, oh, sorry.
224
00:12:03,690 --> 00:12:06,120
She's an organic land care practitioner.
225
00:12:06,479 --> 00:12:10,260
She had been invited to a property that
didn't want to use poisons on their
226
00:12:10,260 --> 00:12:11,729
property to get rid of the cat's course.
227
00:12:11,729 --> 00:12:17,189
So this lady whose name's Nadia,
she recognized that the material
228
00:12:17,189 --> 00:12:20,640
was actually really useful and we
could turn it into a resource and
229
00:12:20,670 --> 00:12:22,380
I was basket maker in the area.
230
00:12:22,380 --> 00:12:23,099
She knew that.
231
00:12:23,250 --> 00:12:26,579
So she called me in and said, Hey, let's,
let's see what we can do with this.
232
00:12:27,660 --> 00:12:29,400
And teach people how to
make baskets out of it.
233
00:12:29,400 --> 00:12:32,400
And then when I went onto a property
and realized just how pervasive and
234
00:12:32,400 --> 00:12:36,510
destructive this material was, I
went, okay, this is what I need to do.
235
00:12:36,510 --> 00:12:40,110
I need to work with an invasive
material and I need to step
236
00:12:40,110 --> 00:12:42,000
up into something different.
237
00:12:42,630 --> 00:12:46,785
Because another thing that's kind
of a sideline too is that if I
238
00:12:46,785 --> 00:12:50,310
asked all of your audience how many
baskets they have in their house.
239
00:12:50,940 --> 00:12:53,580
On average 10 baskets in a house.
240
00:12:53,910 --> 00:12:57,330
But if I asked you how many of those
were made by an Australian, if you are
241
00:12:57,330 --> 00:13:00,900
not a basket maker yourself, all of
those would've been imported baskets.
242
00:13:01,080 --> 00:13:05,310
So if you just think of for yourself,
have you got any baskets in your house and
243
00:13:05,310 --> 00:13:06,780
how many of those were Australian made?
244
00:13:06,900 --> 00:13:08,340
Would you give me an answer?
245
00:13:09,120 --> 00:13:13,110
Well, it's, it's probably the wrong person
to ask, saying I worked at a botanic
246
00:13:13,110 --> 00:13:17,910
Gardens for 13 years and, and I had a
little obsession with the basket weavers
247
00:13:17,910 --> 00:13:23,340
that the friends group were, and so I
have purchased probably a few too many
248
00:13:23,340 --> 00:13:25,645
baskets over the years of various You,
249
00:13:25,800 --> 00:13:27,209
you are one of the 1%.
250
00:13:27,480 --> 00:13:28,324
Yeah, I am.
251
00:13:28,965 --> 00:13:31,485
And it's people who know
Australian basket makers who have
252
00:13:31,485 --> 00:13:35,625
Australian baskets, but the average
person, it's, it's all imported.
253
00:13:35,625 --> 00:13:39,375
So I knew that I couldn't make baskets
out of this material and hope to sell
254
00:13:39,375 --> 00:13:42,795
them because it's like we just can't
compete with the imported market.
255
00:13:43,215 --> 00:13:47,655
And so it was like, what do
Australians buy that they're prepared
256
00:13:47,655 --> 00:13:49,575
to actually pay real money for?
257
00:13:49,665 --> 00:13:54,255
And coffins was kind of the
direction that I, I felt was the most
258
00:13:54,255 --> 00:13:58,005
appropriate, and that's why I started
doing coffins out of the cat school.
259
00:13:59,099 --> 00:14:00,150
And they're so beautiful.
260
00:14:00,150 --> 00:14:05,939
And just before we go onto the, how you
make a coffin, the cat's claw that you are
261
00:14:05,939 --> 00:14:08,849
describing, that is a, a vine, isn't it?
262
00:14:08,849 --> 00:14:12,240
Quite a weedy vine that
strangles everything, doesn't it?
263
00:14:12,660 --> 00:14:13,589
Yeah, absolutely.
264
00:14:13,589 --> 00:14:14,550
It's invasive.
265
00:14:14,550 --> 00:14:15,540
It's probably.
266
00:14:16,125 --> 00:14:18,465
I think it's on the biosecurity
Act and it's one of the
267
00:14:18,465 --> 00:14:20,985
top three invasive species.
268
00:14:21,015 --> 00:14:23,865
Like they, they have different categories
and I think it's in the third category
269
00:14:23,865 --> 00:14:29,085
or it's the third most destructive
bind in Australia that's up invasive
270
00:14:29,085 --> 00:14:30,615
bin that's coming to Australia.
271
00:14:31,245 --> 00:14:31,485
Yeah,
272
00:14:31,575 --> 00:14:35,625
so I think it's beautiful that
you're actually creating, you know,
273
00:14:35,685 --> 00:14:39,465
the coffins out of an invasive
species that is actually doing
274
00:14:39,465 --> 00:14:41,205
damage to our natural environment.
275
00:14:41,535 --> 00:14:44,085
That's why I kind of
went, okay, that's it.
276
00:14:44,145 --> 00:14:47,955
You know, because a lot of my materials
that I can work with, it's renewable,
277
00:14:48,015 --> 00:14:50,625
but they're not invasive or destructive.
278
00:14:50,955 --> 00:14:52,335
The CAT score is, and it was.
279
00:14:52,365 --> 00:14:54,435
That's like, okay, let's
do something with this.
280
00:14:54,435 --> 00:14:55,725
Let's, let's make mark.
281
00:14:56,444 --> 00:14:57,555
That's why I went that way.
282
00:14:57,675 --> 00:14:58,035
Yeah.
283
00:14:58,545 --> 00:15:03,255
I think it's really beautiful and
it seems to be such a, a fiber that
284
00:15:03,255 --> 00:15:05,565
lends itself to the weaving as well.
285
00:15:05,775 --> 00:15:09,795
So can you talk about the process,
if you don't mind, from sort of start
286
00:15:09,795 --> 00:15:11,625
to finish about how that evolves?
287
00:15:11,625 --> 00:15:15,795
Because I'm assuming there must be a
period of time where you have to collect
288
00:15:15,795 --> 00:15:19,335
and gather before it is, is useful to you.
289
00:15:19,695 --> 00:15:20,085
That's right.
290
00:15:20,175 --> 00:15:20,325
Yep.
291
00:15:20,355 --> 00:15:20,655
Sorry.
292
00:15:20,655 --> 00:15:23,265
If every now and then I'm
doing this, we're in midville.
293
00:15:23,565 --> 00:15:26,265
Like we have Midges like you
wouldn't believe in this area.
294
00:15:26,895 --> 00:15:27,975
Yeah, right.
295
00:15:28,635 --> 00:15:30,675
Yeah, so I'm seeing them fly everywhere.
296
00:15:30,765 --> 00:15:34,755
Okay, so I have, and I'm going
out on Wednesday collecting.
297
00:15:34,755 --> 00:15:38,505
So I have a team of, a minimum of four
people, and we go out for two days
298
00:15:38,505 --> 00:15:40,155
and we collect for eight hours a day.
299
00:15:40,485 --> 00:15:41,805
We're climbing trees.
300
00:15:41,805 --> 00:15:44,296
We're cutting from the
top end to the bottom.
301
00:15:45,310 --> 00:15:46,000
Pulling off.
302
00:15:46,000 --> 00:15:50,589
Now, this particular vine just attaches
itself to the trunk of the tree and it
303
00:15:50,589 --> 00:15:54,310
climbs straight up, which is wonderful
for us as weavers, which is why it
304
00:15:54,310 --> 00:15:57,699
makes such a great weaving material
because it's not this vine that just
305
00:15:57,699 --> 00:15:59,589
goes off in all different directions.
306
00:15:59,589 --> 00:16:00,490
It's straight up.
307
00:16:00,490 --> 00:16:04,870
So it makes it pretty good for weaving,
and as it climbs, it basically.
308
00:16:05,145 --> 00:16:09,675
It can sometimes put a whole like
curtain or a skirt around the trunk of
309
00:16:09,675 --> 00:16:14,025
a tree, and then it climbs up through
the crown of the leaves and it, it
310
00:16:14,025 --> 00:16:15,645
takes over and sits on top of it.
311
00:16:15,824 --> 00:16:16,844
So it takes the light.
312
00:16:17,175 --> 00:16:21,614
And then also what it does is that
that skirt that forms around the trunk,
313
00:16:21,824 --> 00:16:25,214
all of the debris that would normally
fall off the tree and nourish the
314
00:16:25,214 --> 00:16:27,015
ground underneath, falls in between it.
315
00:16:27,020 --> 00:16:29,864
And so it suffocates because
apparently trees can breathe
316
00:16:29,864 --> 00:16:30,915
through their trunk as well.
317
00:16:31,305 --> 00:16:33,015
And so it suffocates the trunk.
318
00:16:33,565 --> 00:16:34,975
Basically kills trees.
319
00:16:35,035 --> 00:16:37,045
It takes a few years to get to that stage.
320
00:16:37,045 --> 00:16:41,095
But if it gets to that stage, you'll
see these monsters in the forest, and
321
00:16:41,095 --> 00:16:45,025
it's the cat's claw has climbed over
these trees, killed them, and all it is
322
00:16:45,025 --> 00:16:47,545
are these limbs like a cartoon monster.
323
00:16:47,815 --> 00:16:51,895
But you're talking anything from
like a meter high to 30 meters
324
00:16:51,895 --> 00:16:55,015
high, so grandmother and grandfather
trees are just being killed.
325
00:16:55,345 --> 00:16:58,405
And then also most of it's
happening in the riparian zone.
326
00:16:58,405 --> 00:17:00,535
So basically also.
327
00:17:00,810 --> 00:17:05,670
Spreads on the water and so it climbs
onto trees closest to the water.
328
00:17:05,670 --> 00:17:09,060
And then when, when those trees die,
then the root system basically isn't
329
00:17:09,089 --> 00:17:12,930
holding the banks of the rivers together,
so it causes a lot of erosion as well.
330
00:17:13,200 --> 00:17:18,270
And also the extra weight of the material
if it's flood time, that extra weight of
331
00:17:18,270 --> 00:17:20,609
the water going through this material.
332
00:17:20,890 --> 00:17:22,630
Basically puts trees down as well.
333
00:17:23,020 --> 00:17:26,680
So anyway, we go in there,
we climb and we cut top and
334
00:17:26,680 --> 00:17:28,510
bottom, and then we pull it off.
335
00:17:28,600 --> 00:17:33,580
And if we're lucky, all the, um, stems are
kind of next to each other, but sometimes
336
00:17:33,580 --> 00:17:35,620
they entangle and crossover and join.
337
00:17:35,890 --> 00:17:38,230
So, you know, we've gotta
lift and do all these things.
338
00:17:38,230 --> 00:17:41,080
So it's a very, very slow human process.
339
00:17:41,110 --> 00:17:41,680
Yeah.
340
00:17:42,010 --> 00:17:46,015
So it takes, like I said, a minimum
of four of us two days to get enough.
341
00:17:47,160 --> 00:17:50,670
So you can like if looking at
about 50 people hours to get
342
00:17:50,670 --> 00:17:51,690
the material for the coffin.
343
00:17:52,230 --> 00:17:56,280
So then we take that back to
either my studio or storage
344
00:17:56,280 --> 00:17:58,140
shed or like this weekend.
345
00:17:58,140 --> 00:18:02,400
Then I go straight down to a teaching
event and then I sort the materials
346
00:18:02,400 --> 00:18:04,590
so I have it in different piles
for the different thicknesses, for
347
00:18:04,590 --> 00:18:05,790
the different parts of the coffin.
348
00:18:06,420 --> 00:18:09,450
And also some get put aside for baskets.
349
00:18:09,480 --> 00:18:11,040
And then basically off I go.
350
00:18:11,160 --> 00:18:14,970
And then when we get to the class, we
get the students to clean the material.
351
00:18:15,285 --> 00:18:18,735
So the little claws, which I don't
know why they call cats skull, I
352
00:18:18,735 --> 00:18:19,905
think they're more like birds feet.
353
00:18:19,935 --> 00:18:23,595
'cause they're the little, there's three
like this and they small enough that they
354
00:18:23,835 --> 00:18:26,295
all three would fit onto my fingernail.
355
00:18:26,295 --> 00:18:28,245
But you probably get like
six on my fingernail.
356
00:18:28,245 --> 00:18:33,045
They're that small, so they kind of have
this hairiness and a bit of a root system.
357
00:18:33,045 --> 00:18:34,635
It looks like a bit system, but it's not.
358
00:18:34,875 --> 00:18:38,925
And also when you're pulling it off, if
it's coming off a dead tree, especially
359
00:18:38,925 --> 00:18:40,755
dead trees, the bark comes off with it.
360
00:18:40,755 --> 00:18:43,035
So you've got to cut all
of that material off.
361
00:18:43,035 --> 00:18:44,055
So you give it a haircut.
362
00:18:44,595 --> 00:18:48,165
And then, then you basically
just weave away with it.
363
00:18:48,645 --> 00:18:49,035
Wow.
364
00:18:49,035 --> 00:18:51,315
And how, what is the process?
365
00:18:51,315 --> 00:18:52,305
Where do you start?
366
00:18:52,305 --> 00:18:55,365
Do you start, I'm assuming at
the base, like do you weave the
367
00:18:55,365 --> 00:18:58,185
base or, I'd love to be weaving the base.
368
00:18:58,185 --> 00:19:00,915
I think legislation means that
we have to have a solar base.
369
00:19:00,975 --> 00:19:01,365
Um, yeah.
370
00:19:01,365 --> 00:19:01,845
Okay.
371
00:19:02,055 --> 00:19:06,435
Where we can't, in England and Europe,
I believe they can weave their bases.
372
00:19:06,495 --> 00:19:08,745
They don't always have to, but they can.
373
00:19:09,045 --> 00:19:09,720
And there is a bit more work.
374
00:19:10,409 --> 00:19:13,740
You know, and Cat Core isn't the
best material to weave a base with
375
00:19:13,740 --> 00:19:15,419
because it doesn't do sharp corners.
376
00:19:15,720 --> 00:19:20,580
So if you weave a base, you've got timber
up bites or Cat core outrights, depending
377
00:19:20,580 --> 00:19:23,310
on what you're gonna use and to go around.
378
00:19:23,820 --> 00:19:26,610
So you'd be going backwards and
forwards like this, and Cat Core
379
00:19:26,610 --> 00:19:30,480
doesn't do a really sharp turn,
whereas Willow will do a sharp turn,
380
00:19:30,480 --> 00:19:31,740
which is what they use in Europe.
381
00:19:32,070 --> 00:19:32,640
So it's not the
382
00:19:33,750 --> 00:19:34,980
bases anyway.
383
00:19:35,700 --> 00:19:41,190
And so for a coffin, we'll start at the
base and put in the uprights, and then
384
00:19:41,190 --> 00:19:45,000
we weave our way up, and then we put
in the handles, which is rope handle.
385
00:19:45,000 --> 00:19:48,480
I do a whole layer of rope and
put the handles in that, and then
386
00:19:48,480 --> 00:19:53,235
we weave to the top and we turn
it down, and then we weave a lid.
387
00:19:54,315 --> 00:19:54,765
Wow.
388
00:19:54,765 --> 00:19:56,805
And how long does that process take?
389
00:19:56,895 --> 00:19:57,375
Zumi?
390
00:19:57,465 --> 00:19:59,355
It's a good 60 hours.
391
00:19:59,445 --> 00:20:04,695
So with a team, when we have workshops,
especially the public workshops,
392
00:20:04,695 --> 00:20:07,005
we aim for a minimum of 16 people.
393
00:20:07,245 --> 00:20:09,795
And I generally collaborate
with a deaf educator.
394
00:20:10,425 --> 00:20:13,695
So we split the group up half, half,
half in the morning, go to the deaf
395
00:20:13,695 --> 00:20:16,755
educator after me, and then we swap
in the afternoon for both days.
396
00:20:17,115 --> 00:20:20,500
And so I generally have a team
of eight working consistently.
397
00:20:21,149 --> 00:20:24,240
And so by the end of the
weekend we can have a maid.
398
00:20:24,929 --> 00:20:25,679
That's amazing.
399
00:20:25,679 --> 00:20:29,730
And then it can be used and, and you know,
400
00:20:29,730 --> 00:20:34,620
and so I did one for a voluntary assisted
dying and his family came together
401
00:20:34,800 --> 00:20:37,260
the weekend that he was going to die.
402
00:20:37,620 --> 00:20:42,120
And we basically started the Saturday
morning and friends and family came and.
403
00:20:42,990 --> 00:20:46,050
Wove when they were ready
and then went downstairs to
404
00:20:46,050 --> 00:20:47,220
see him when they were ready.
405
00:20:47,220 --> 00:20:51,540
So in between seeing their people,
their person, they would come up
406
00:20:51,540 --> 00:20:54,960
and wait, and it was a really good
focus for the weekend, and we got it
407
00:20:54,960 --> 00:20:59,100
done in the weekend and he literally
went in as soon as it was finished.
408
00:20:59,625 --> 00:21:02,625
That is such a beautiful story
that it's something that people can
409
00:21:02,625 --> 00:21:07,905
actively partake in while they're also
spending time with the person as well.
410
00:21:08,145 --> 00:21:11,115
And it's a really lovely focus as well,
because if you don't have something like
411
00:21:11,115 --> 00:21:14,925
that happening, then people will just be
on their phones or they'll be bored and
412
00:21:14,925 --> 00:21:18,465
want to go somewhere and then, you know,
they'll miss out on the family time.
413
00:21:18,465 --> 00:21:22,245
But working together and like,
I mean, like I said, weaving.
414
00:21:22,770 --> 00:21:24,000
Belongs to all of us.
415
00:21:24,000 --> 00:21:25,830
It's in every single person's lineage.
416
00:21:25,830 --> 00:21:30,330
Humanity grew because of the skills that
we learned to be in nature, and most
417
00:21:30,330 --> 00:21:33,060
of those skills were weaving up skills.
418
00:21:33,060 --> 00:21:38,280
So like if you think to bind housing
or to make fishing nets, or to make
419
00:21:38,280 --> 00:21:42,660
baskets or mats or food carriers, all
of that, they're all weaving skills.
420
00:21:42,660 --> 00:21:47,040
So everywhere in our lineage,
from every tribe there is weaving.
421
00:21:47,490 --> 00:21:50,790
So when people get together
and they weave, it has this.
422
00:21:51,389 --> 00:21:55,170
It's really bit woo woo, but this
cosmic consciousness that when we
423
00:21:55,170 --> 00:21:58,620
weave, we are connecting to all
those who have woven before and to
424
00:21:58,620 --> 00:22:00,360
our lineage and to the ancestors.
425
00:22:00,960 --> 00:22:04,889
And it creates a whole different
atmosphere and vibe that goes
426
00:22:04,889 --> 00:22:06,480
on in any of those spaces.
427
00:22:06,480 --> 00:22:12,090
And you find people quiet down, they
go into a rhythm, and because also
428
00:22:12,090 --> 00:22:16,950
they're working with nature, there's
just something that impacts on humans in
429
00:22:16,950 --> 00:22:19,710
a way that digital stuff just won't do.
430
00:22:20,460 --> 00:22:22,710
And tell me when you then.
431
00:22:23,745 --> 00:22:28,125
Have finished the, the coffin
and it is used at the other side
432
00:22:28,125 --> 00:22:30,105
of the things, the, um, process.
433
00:22:30,345 --> 00:22:32,655
I'm assuming that it can
be used in natural burial
434
00:22:32,655 --> 00:22:34,335
grounds 'cause it breaks down.
435
00:22:34,695 --> 00:22:39,105
And, and have you done much work
or research into how it breaks down
436
00:22:39,105 --> 00:22:40,575
or, 'cause I'm assuming it would be.
437
00:22:41,564 --> 00:22:42,770
It, it, you know, it's natural.
438
00:22:42,770 --> 00:22:45,770
It doesn't have any of the compositions
that's perhaps some of the other more
439
00:22:45,770 --> 00:22:48,439
traditional coffins have, I would say,
440
00:22:48,770 --> 00:22:52,429
use anything like varnishes or
metal or anything like that.
441
00:22:52,879 --> 00:22:57,169
And yeah, it breaks down, I can tell
you because we can't use cat's floor for
442
00:22:57,350 --> 00:23:01,370
like, if I could've, I would make outdoor
furniture or something with it, but you
443
00:23:01,370 --> 00:23:03,020
can't because it breaks down so quickly.
444
00:23:03,360 --> 00:23:06,510
So it's, it's absolutely
perfect to go into the soil
445
00:23:06,570 --> 00:23:07,980
and it's also perfect to burn.
446
00:23:08,280 --> 00:23:10,439
People go, oh, why would you
burn something so beautiful?
447
00:23:10,439 --> 00:23:13,800
And it's like, well, you are
gonna burn a coffin, so why?
448
00:23:13,830 --> 00:23:15,330
Why actually pull down a tree?
449
00:23:15,330 --> 00:23:16,679
Why varnish wood?
450
00:23:16,679 --> 00:23:20,040
Why do all of those kind of things
and put those into the atmosphere when
451
00:23:20,040 --> 00:23:22,830
you've got something that's invasive
that's killing our native forest?
452
00:23:23,745 --> 00:23:25,514
And why wouldn't you just use that?
453
00:23:25,815 --> 00:23:28,455
So it's, it's perfect for all
of those, those situations.
454
00:23:28,784 --> 00:23:33,135
You know, personally, like, you know that
Victoria, you don't have to be buried in
455
00:23:33,135 --> 00:23:37,335
a coffin or burnt in a coffin in a, in
New South Wales you do, I actually would
456
00:23:37,335 --> 00:23:39,225
love to see that people go in a shroud.
457
00:23:39,225 --> 00:23:43,395
I think that that's perfect opportunity
for being as natural as possible.
458
00:23:43,695 --> 00:23:48,705
And I, I also am in the process of making
shroud carriers and bearers so that
459
00:23:48,795 --> 00:23:51,010
basically it's a woven top and a base.
460
00:23:51,975 --> 00:23:54,885
The person goes in on the base
and the top can be reused if they
461
00:23:54,885 --> 00:23:59,745
want, or it can go down with them,
so, or into the ator with them.
462
00:23:59,860 --> 00:24:00,080
So.
463
00:24:01,260 --> 00:24:06,270
And maybe just talk through the difference
between a, a coffin and a shroud and
464
00:24:06,270 --> 00:24:09,900
the shroud carrier for people who are
unfamiliar with those differences.
465
00:24:10,170 --> 00:24:10,440
Okay.
466
00:24:10,440 --> 00:24:16,680
So a, a shroud carrier, basically shroud
is where you are covered over in either
467
00:24:16,770 --> 00:24:21,600
a textile of some sort, and it, it
could even be paperback, it could be
468
00:24:21,629 --> 00:24:25,530
possum, it could be cotton sheeting, it
could be calico, it could be anything.
469
00:24:26,055 --> 00:24:28,935
It could be silk, wool, any
of those kind of things.
470
00:24:29,115 --> 00:24:32,355
I mean, it could be polyester, but I
wouldn't, I mean it could possibly even
471
00:24:32,355 --> 00:24:36,675
have a plastic one, but I'm obviously,
it's not something that I'd be promoting.
472
00:24:37,065 --> 00:24:40,570
But yeah, so that a shroud is where
the body is covered in material and.
473
00:24:41,445 --> 00:24:46,395
Then it goes onto a flat base
and then, or some shroud carries,
474
00:24:46,395 --> 00:24:49,965
actually they're more like a bassinet
or a, you know, the old hots.
475
00:24:49,965 --> 00:24:50,025
Yeah.
476
00:24:50,295 --> 00:24:53,925
So it has, um, a little bit
of weaving and then a bit of a
477
00:24:53,925 --> 00:24:55,725
umbrella type thing on the top.
478
00:24:55,800 --> 00:24:56,090
Yeah.
479
00:24:57,045 --> 00:24:57,286
So, yeah.
480
00:24:57,286 --> 00:24:58,485
So Or old pram.
481
00:24:58,515 --> 00:24:59,655
The old prams actually.
482
00:24:59,655 --> 00:24:59,895
But a,
483
00:25:00,525 --> 00:25:04,605
yeah, I'm thinking the old woven
bassinets that Yeah, yeah, yeah.
484
00:25:04,605 --> 00:25:05,715
With the little half.
485
00:25:06,135 --> 00:25:07,755
So that could be a strap carrier as well.
486
00:25:07,755 --> 00:25:10,305
But the ones that I'm
intending on making are more.
487
00:25:10,919 --> 00:25:16,050
Where they are a base, and then I make
a, a lead that's like an upside down
488
00:25:16,050 --> 00:25:17,909
coffin, but it's a hundred percent woven.
489
00:25:17,970 --> 00:25:21,209
There's no, um, yeah, there's
a, a little bit of wood in the
490
00:25:21,389 --> 00:25:24,270
top section and that can be a
personalized piece of wood as well.
491
00:25:24,480 --> 00:25:26,909
That doesn't have to be
something that I choose.
492
00:25:26,909 --> 00:25:30,720
It can be whatever the family chooses
and basically that can be taken
493
00:25:30,720 --> 00:25:34,530
off and the person could go into
a cremator or be buried like that,
494
00:25:34,560 --> 00:25:39,000
or they could be taken off the base
even and maded or buried that way.
495
00:25:39,360 --> 00:25:39,899
That's great.
496
00:25:39,899 --> 00:25:42,899
No, it's just some people may
not be familiar with the, the
497
00:25:42,899 --> 00:25:44,129
difference between the two.
498
00:25:44,129 --> 00:25:46,110
So thank you so much for explaining
499
00:25:46,440 --> 00:25:51,179
that lid from on the top and a a
shroud carrier is a flat base with a
500
00:25:51,179 --> 00:25:53,490
lid that comes off and that's more.
501
00:25:53,835 --> 00:25:56,685
It's like a butter dish
is kind of like a way,
502
00:25:56,745 --> 00:25:58,455
that's a good way to explain it actually.
503
00:25:59,745 --> 00:26:00,195
Yeah.
504
00:26:00,315 --> 00:26:01,005
Yeah, yeah.
505
00:26:01,455 --> 00:26:06,675
And tell me, I'd like to talk about
that experience and that you see
506
00:26:06,735 --> 00:26:09,405
during your workshops about how people.
507
00:26:10,274 --> 00:26:14,324
Come into that experience and then sort
of that sort of, I suppose, evolution
508
00:26:14,324 --> 00:26:18,794
or transition that you see with that,
that collective creating and the
509
00:26:18,794 --> 00:26:22,334
difference that that makes that you
see in people through your workshops.
510
00:26:23,084 --> 00:26:25,814
So there's three different
types of workshops.
511
00:26:25,814 --> 00:26:29,054
So you've got the living wake,
so that's family and friends and
512
00:26:29,054 --> 00:26:30,344
the community that come together.
513
00:26:30,735 --> 00:26:35,115
And then you've got like the, which, uh,
like almost, it's almost a living weight,
514
00:26:35,115 --> 00:26:38,310
but it's a voluntary assisted dying
where they come together and the person.
515
00:26:38,990 --> 00:26:43,700
Basically dies that weekend or that at
that when their, the coffin's ready.
516
00:26:43,910 --> 00:26:45,620
And then you've got the public workshops.
517
00:26:45,740 --> 00:26:47,330
So the public workshops
are quite different.
518
00:26:47,330 --> 00:26:50,180
So that's for people who are
interested in talking to.
519
00:26:50,940 --> 00:26:52,140
Dying grief and care.
520
00:26:52,470 --> 00:26:55,770
And they also want to see if they,
they're interested in making a
521
00:26:55,770 --> 00:27:00,000
coffin or to have the experience
of making it weaving and talking
522
00:27:00,000 --> 00:27:01,770
and doing all those kind of things.
523
00:27:01,980 --> 00:27:04,980
All of them have profound
experiences, I have to say.
524
00:27:05,040 --> 00:27:10,185
The public workshops, generally, someone
in the public workshop is buying the
525
00:27:10,260 --> 00:27:15,480
coffin, or we donate it to an independent
funeral director, a funeral company.
526
00:27:15,570 --> 00:27:18,090
So if it's going to someone
in the workshop, they know who
527
00:27:18,090 --> 00:27:19,650
they're making it for, and.
528
00:27:20,050 --> 00:27:22,060
There's just, what a beautiful experience.
529
00:27:22,060 --> 00:27:27,610
People just are happy to weave and like
I said, that we weaving 'cause it's so
530
00:27:27,610 --> 00:27:29,950
ancestral and because it, it's a rhythm.
531
00:27:30,280 --> 00:27:34,450
And when you start moving in a
rhythm, which people who are dancers
532
00:27:34,450 --> 00:27:35,980
will know and people who weave.
533
00:27:36,570 --> 00:27:40,440
Is you drop to the natural rhythm that
you actually have within yourself.
534
00:27:40,620 --> 00:27:42,690
And so it's actually
incredibly nourishing.
535
00:27:42,870 --> 00:27:45,570
And then when you're talking about
profound things like death, which
536
00:27:45,570 --> 00:27:49,440
most people don't get an experience
or opportunity to talk about, then
537
00:27:49,445 --> 00:27:53,160
it, it just, it has this really
deep, profound effect on people
538
00:27:53,700 --> 00:27:57,240
then that's quite different to those
who come to a living weight where
539
00:27:57,240 --> 00:27:58,980
their person has been diagnosed.
540
00:27:59,040 --> 00:28:02,520
They know that they're not gonna survive
forever, or they know that there is a
541
00:28:02,520 --> 00:28:04,320
limited time for that particular person.
542
00:28:04,650 --> 00:28:06,090
And so there is.
543
00:28:06,810 --> 00:28:10,530
Because it's so personal, because
that person invited all those people
544
00:28:10,530 --> 00:28:14,760
to be there, and there is that time
to talk about that person and all the
545
00:28:14,760 --> 00:28:16,380
experiences you have with that person.
546
00:28:16,650 --> 00:28:19,950
It also obviously drops to that
really deep place where people are
547
00:28:19,950 --> 00:28:25,740
just reflecting on the gifts of that
person, the gifts of life and, and
548
00:28:25,740 --> 00:28:27,210
the sadness that you go through.
549
00:28:27,300 --> 00:28:29,730
Knowing that that person might
be there forever and that
550
00:28:29,910 --> 00:28:32,100
you're doing this as their last.
551
00:28:32,940 --> 00:28:37,530
Resting place and, and what I also find
so beautiful about the living wakes is
552
00:28:37,530 --> 00:28:42,690
that sometimes the family live quite a
distance away or they're not interacting
553
00:28:42,690 --> 00:28:46,410
with that person all the time, and they
finally get to meet the neighbors or the.
554
00:28:46,845 --> 00:28:50,265
You know the community that this person,
when they're talking on the phone would
555
00:28:50,265 --> 00:28:54,255
say, oh, yes, or such and such, did they,
even these, the kids don't necessarily
556
00:28:54,255 --> 00:28:57,645
know who that person is because they
don't live near the person who's dying.
557
00:28:57,885 --> 00:29:01,305
And so when they go to the funeral,
instead of it being like, I think that's
558
00:29:01,305 --> 00:29:06,015
dad's neighbor, it's like, oh, that,
that's who, whoever it is, who was
559
00:29:06,015 --> 00:29:07,965
at the weekend of leaving the coffin.
560
00:29:08,205 --> 00:29:12,525
So it creates a certain container of
care, that person and for the family.
561
00:29:12,675 --> 00:29:13,470
Once that person goes.
562
00:29:14,055 --> 00:29:15,135
So that's pretty special.
563
00:29:15,135 --> 00:29:17,925
And then obviously voluntary
assisted dying experiences.
564
00:29:18,015 --> 00:29:21,465
Those who are closest to
that person are all together.
565
00:29:21,645 --> 00:29:24,855
And sometimes, you know, as everyone
knows these days, not everyone
566
00:29:24,855 --> 00:29:26,685
gets on, especially families.
567
00:29:26,685 --> 00:29:30,675
They don't necessarily get on, but
all of that gets put aside because
568
00:29:30,675 --> 00:29:34,755
it's that day that that person's
gonna die and it's the thing that
569
00:29:34,755 --> 00:29:39,375
they're gonna make for this person
to go into in a couple of hours time.
570
00:29:39,705 --> 00:29:42,075
So it just has this
profound effect on people.
571
00:29:44,385 --> 00:29:51,645
And tell me, with the transition of your
arts practice, what has it taught you?
572
00:29:51,645 --> 00:29:55,575
What have been the lessons for you,
seeing you've been part of these
573
00:29:55,575 --> 00:29:58,455
amazing transformative experiences?
574
00:29:58,485 --> 00:30:01,785
What does it mean for you at the
end of the day when you go, wow.
575
00:30:01,845 --> 00:30:02,565
You know,
576
00:30:02,655 --> 00:30:06,615
well, it's definitely given me a different
perspective on deaf and dying and yeah,
577
00:30:06,615 --> 00:30:12,105
it, it also came at a time that my mother
just went into nursing care, and so it's
578
00:30:12,165 --> 00:30:15,795
definitely, yeah, it's had that impact
where it's like, okay, these are the
579
00:30:15,795 --> 00:30:19,665
things that I'm learn, like I'm learning
so much about the deaf and deaf care
580
00:30:20,055 --> 00:30:23,145
industry and also about how I wanna go.
581
00:30:23,205 --> 00:30:26,385
I'm very much into the natural
world, so I thought that.
582
00:30:27,314 --> 00:30:31,155
Maybe I'd go cremation, but since
being in the deaf industry, not at all.
583
00:30:31,215 --> 00:30:32,054
I wanna be buried.
584
00:30:32,054 --> 00:30:33,405
I want to go back to the earth.
585
00:30:33,405 --> 00:30:36,794
That nourished me, and I want to go
in the most natural way possible.
586
00:30:36,794 --> 00:30:40,995
And I, I, I'm very much an advocate
for that and I talk about that a
587
00:30:40,995 --> 00:30:44,895
lot to people who come and think
that they want to be cremated.
588
00:30:45,554 --> 00:30:49,395
I'll give them a few of the facts and, and
the things that I know about information
589
00:30:49,395 --> 00:30:54,105
that I don't necessarily think most
people don't understand or know about.
590
00:30:54,105 --> 00:30:55,995
So yeah, just go, yeah, please.
591
00:30:55,995 --> 00:31:00,764
This is why I'd go burial and this
is why I'd go in a shroud if I can.
592
00:31:01,155 --> 00:31:01,365
Yeah.
593
00:31:02,024 --> 00:31:06,554
So with, um, your personal perspective
in mind, can you share some of
594
00:31:06,554 --> 00:31:09,735
those, those things with us that
you perhaps share with people?
595
00:31:10,274 --> 00:31:14,564
Yeah, so basically the resources
that are used in information is.
596
00:31:14,939 --> 00:31:15,750
Intense.
597
00:31:15,810 --> 00:31:19,169
It can be anything from two to
six hours to burn a body and or
598
00:31:19,590 --> 00:31:20,879
um, the coffin and everything.
599
00:31:20,939 --> 00:31:23,459
There's some things that I won't
talk about that I've heard that
600
00:31:23,459 --> 00:31:25,379
I'm like, that is terrible.
601
00:31:25,500 --> 00:31:28,919
So the resources, then the pollution
that goes into the atmosphere,
602
00:31:28,919 --> 00:31:30,419
even though there's filters.
603
00:31:30,479 --> 00:31:35,070
And I also hear that at some stage
you're gonna try and reduce the
604
00:31:35,399 --> 00:31:38,550
use of gas informations because
it's a resource that we don't have.
605
00:31:38,625 --> 00:31:40,635
And endless, or will we possibly do that?
606
00:31:40,725 --> 00:31:44,925
I dunno how much supplies we have, but
yeah, it's a resource that they're very
607
00:31:44,925 --> 00:31:51,255
much thinking about and I just think,
I've seen a few bodies go into a cremator
608
00:31:51,315 --> 00:31:54,435
and I'm like, that is so backwards.
609
00:31:54,435 --> 00:31:59,565
That is so, I, I won't talk about the
secret things that they do because I'm
610
00:31:59,625 --> 00:32:02,295
just like, that is just so archaic.
611
00:32:02,715 --> 00:32:04,005
So I won't go into that.
612
00:32:04,005 --> 00:32:06,375
But yeah, it's mainly the resources.
613
00:32:06,720 --> 00:32:09,030
And the chemicals that
go into the atmosphere.
614
00:32:09,210 --> 00:32:12,270
And like I said, I am much
more into the burials.
615
00:32:12,270 --> 00:32:16,410
I'm working with Wall Way, which
is Australia's first conservation
616
00:32:16,410 --> 00:32:19,110
burial site down south of Sydney.
617
00:32:19,110 --> 00:32:22,560
And basically they're going to
bury bodies and let the forests
618
00:32:22,560 --> 00:32:26,310
slowly move towards those bodies
and, and breaking down that way.
619
00:32:26,310 --> 00:32:27,900
And I, I can't think of anything better.
620
00:32:28,200 --> 00:32:30,630
Can't think of like, that's
how we used to do it.
621
00:32:30,690 --> 00:32:32,160
Why wouldn't we continue doing that?
622
00:32:32,730 --> 00:32:37,440
It's interesting that you say that you
changed your point of view about what you,
623
00:32:37,440 --> 00:32:39,810
you would like for your own end of life.
624
00:32:40,290 --> 00:32:43,560
What is it that really attracts
you to the natural burial?
625
00:32:44,040 --> 00:32:44,520
Now,
626
00:32:44,820 --> 00:32:47,550
the fact, like I said
before, that the earth has.
627
00:32:47,940 --> 00:32:49,830
Basically nourished us continuously.
628
00:32:49,830 --> 00:32:53,040
It's given us food, it's given us
air, it's given us water, everything,
629
00:32:53,250 --> 00:32:56,130
every kind of goodness that's
possible becomes a bush, Turkey.
630
00:32:57,120 --> 00:33:01,380
Everything that's possible for us to
be healthy, the earth has given us.
631
00:33:01,380 --> 00:33:04,380
So why would we not go back to the
earth and nourish it in, in the way
632
00:33:04,380 --> 00:33:09,240
that it's given to us, and all the
rest of nature goes back into itself?
633
00:33:09,240 --> 00:33:10,200
It's this cycle.
634
00:33:10,230 --> 00:33:11,555
So why wouldn't you do that?
635
00:33:13,095 --> 00:33:13,754
It is interesting.
636
00:33:13,754 --> 00:33:17,745
I was very much always thinking
that I would be cremated until I
637
00:33:17,745 --> 00:33:22,185
went overseas a few years ago and
had the opportunity to look at two
638
00:33:22,245 --> 00:33:24,405
natural burial grounds in the uk.
639
00:33:24,735 --> 00:33:28,425
One with just like a forest
that was just amazing.
640
00:33:28,425 --> 00:33:32,055
You'd expect fairies to pop out
and Bambi to be walking past.
641
00:33:32,055 --> 00:33:32,440
It was just.
642
00:33:32,860 --> 00:33:34,899
Which is what follow my way will be.
643
00:33:34,899 --> 00:33:35,590
I, you know.
644
00:33:36,010 --> 00:33:39,010
And then, and then another one, which
you, you'd probably be interested
645
00:33:39,010 --> 00:33:42,189
in as well was a organic dairy farm.
646
00:33:42,250 --> 00:33:46,780
They actually have a mobile dairy
where the dairy goes to the cows, so
647
00:33:46,780 --> 00:33:50,560
it's not, the cows aren't treking on
the same path to the dairy each time
648
00:33:50,560 --> 00:33:52,689
for less erosion and and destruction.
649
00:33:52,689 --> 00:33:57,550
And they're actually creating a
natural burial ground to then become
650
00:33:57,550 --> 00:33:59,620
the bio corridor between two remnant.
651
00:33:59,910 --> 00:34:03,840
Pieces of forest that were
existing from many years ago.
652
00:34:03,840 --> 00:34:08,100
And, and I just thought, wow, is
this what it could possibly be Like?
653
00:34:08,159 --> 00:34:09,150
This is amazing.
654
00:34:09,659 --> 00:34:09,720
Yeah.
655
00:34:09,750 --> 00:34:14,550
Uh, so yeah, they were the things that,
that struck me because you, you know,
656
00:34:14,850 --> 00:34:20,280
this was sort of over a few years ago
now and, and there's more natural burial
657
00:34:20,280 --> 00:34:24,840
grounds and discussions that are having
now, but at that stage, to see those
658
00:34:24,840 --> 00:34:27,030
two really well established was, yeah.
659
00:34:27,055 --> 00:34:28,475
Really aous firing.
660
00:34:29,115 --> 00:34:29,804
Absolutely.
661
00:34:29,804 --> 00:34:33,075
And like I said, Walla Way and
Ella will be just like that.
662
00:34:33,075 --> 00:34:34,845
And also, you know, composting.
663
00:34:34,845 --> 00:34:38,385
I wouldn't mind going if, when,
if composting comes to Australia.
664
00:34:38,475 --> 00:34:41,865
I think that that's also a really good
way to do it just so that we break down
665
00:34:41,865 --> 00:34:46,784
naturally and that we become nourishment
for the earth or for other things in
666
00:34:46,784 --> 00:34:49,125
nature, I think is a, just makes sense.
667
00:34:49,815 --> 00:34:52,455
It just doesn't seem to be
a reason to burn our bodies.
668
00:34:52,455 --> 00:34:55,336
'cause you even, like when you,
when you get the ashes, you can't.
669
00:34:55,710 --> 00:34:59,190
Put it in the ground and then plant a
tree on it because the chemistry of the
670
00:34:59,190 --> 00:35:01,050
ashes just won't allow trees to grow.
671
00:35:02,459 --> 00:35:07,620
Yeah, there is one organization that I've
been out to, which is Mornington Green
672
00:35:07,620 --> 00:35:13,529
on here in the Mornington Peninsula, and
they actually have a chemical that they've
673
00:35:13,529 --> 00:35:19,529
devised, which actually neutralizes the
acids in the ashes for their plantings.
674
00:35:19,859 --> 00:35:20,819
But you're right.
675
00:35:20,819 --> 00:35:24,419
You know, traditionally it has
been a real issue for planting,
676
00:35:24,810 --> 00:35:26,640
you know, ashes and trees.
677
00:35:26,640 --> 00:35:28,529
They just don't mix the tree roots.
678
00:35:29,070 --> 00:35:29,580
And Simmy.
679
00:35:29,580 --> 00:35:33,120
What has been some of the biggest
challenges you've found when you've,
680
00:35:33,120 --> 00:35:37,800
you've gone down your, your pathway
of, of your eco-friendly coffins?
681
00:35:37,950 --> 00:35:41,550
Well, selling is a really hard
thing to do when people are dying.
682
00:35:42,000 --> 00:35:44,310
Um, obviously, like people
dunno when they're gonna die.
683
00:35:44,430 --> 00:35:48,030
First of all, most, most of the population
don't dunno when they're gonna die, so
684
00:35:48,035 --> 00:35:52,215
they don't want to have a c. Hanging
around, which I, I totally think is fair.
685
00:35:52,215 --> 00:35:52,965
I wouldn't either.
686
00:35:53,295 --> 00:35:55,845
And then when people are in that
stage where they know they're gonna
687
00:35:55,845 --> 00:35:59,625
die, they don't talk about, and
their families certainly don't wanna
688
00:35:59,625 --> 00:36:03,495
talk about, everyone wants to stay
positive and they'll get through this
689
00:36:03,495 --> 00:36:05,805
and, you know, it's all, all okay.
690
00:36:05,835 --> 00:36:10,485
And then what I find really sad is that
when it comes time that they actually
691
00:36:10,485 --> 00:36:12,195
have died and everyone's in grief, then.
692
00:36:13,530 --> 00:36:19,680
There's just too much grief going down
to actually talk about what many of
693
00:36:19,680 --> 00:36:23,850
the, the sensible things or the things
that would make sense to that person if,
694
00:36:23,940 --> 00:36:28,200
especially if they're an environmentalist
or into natural things that, you know,
695
00:36:28,320 --> 00:36:30,960
if I couldn't go up to the family and
say, Hey, look, I've got a coffin.
696
00:36:31,050 --> 00:36:31,740
How about me?
697
00:36:31,950 --> 00:36:33,000
You know, this, that and the other?
698
00:36:33,000 --> 00:36:37,470
Or even come and make a coffin
in such grief that they can't
699
00:36:37,470 --> 00:36:38,670
face those kind of things.
700
00:36:38,670 --> 00:36:42,509
And then all it takes is just one of the
family members to go, I am not doing that.
701
00:36:42,660 --> 00:36:44,640
For it to never happen.
702
00:36:44,640 --> 00:36:47,609
So I, I find that is a huge challenge.
703
00:36:48,060 --> 00:36:49,049
I'm selling coffins.
704
00:36:49,589 --> 00:36:52,379
It's, it's actually when I started
the business, I thought I'll just make
705
00:36:52,379 --> 00:36:54,029
coffins and then I can just sell them.
706
00:36:54,029 --> 00:36:56,879
Especially, 'cause I live on the north
coast of New South Wales, so I, I'm
707
00:36:56,879 --> 00:36:58,589
in the Byron Shire not far from Nien.
708
00:36:59,250 --> 00:37:01,740
So it's like everyone
will be into it, surely.
709
00:37:02,640 --> 00:37:03,629
It's such a hard sell.
710
00:37:03,870 --> 00:37:05,160
It's a no-go zone really.
711
00:37:05,399 --> 00:37:06,720
So that's really hard.
712
00:37:06,720 --> 00:37:10,259
So that's, thankfully I got into
doing the workshops and working and
713
00:37:10,319 --> 00:37:11,790
collaborating with deaf educators.
714
00:37:11,790 --> 00:37:16,379
So that really has changed my,
it's turned the business around.
715
00:37:16,439 --> 00:37:20,399
But yeah, it's also given me more
opportunity to talk deaf dying and
716
00:37:20,399 --> 00:37:24,839
care, and also help people become more
educated through my collaborators.
717
00:37:24,839 --> 00:37:27,629
So, and they're, they're my advocates.
718
00:37:27,689 --> 00:37:31,950
So I, I can't, I literally can't
go up to people and say, oh, look,
719
00:37:32,040 --> 00:37:33,299
I heard your mother had a stroke.
720
00:37:33,375 --> 00:37:34,935
I've got a coffin for you.
721
00:37:35,205 --> 00:37:35,895
You can do that.
722
00:37:37,185 --> 00:37:42,975
And tell me, what would you
like to see people consider when
723
00:37:43,125 --> 00:37:44,745
they're going through the process?
724
00:37:44,745 --> 00:37:46,005
Is it more pre-planning?
725
00:37:46,005 --> 00:37:48,105
Is it more open conversations?
726
00:37:48,465 --> 00:37:51,405
You know, you, you mentioned earlier
that there's so much you've learned
727
00:37:51,435 --> 00:37:54,825
about the death care industry since
you started working in this space.
728
00:37:55,275 --> 00:37:59,830
What are some of those things where
you'd like to see improved or.
729
00:38:01,335 --> 00:38:06,765
I think all of those things are happening
and all of the machinery is in action and
730
00:38:06,945 --> 00:38:10,785
it's just a matter of people taking up on
those, the offerings that are available.
731
00:38:10,785 --> 00:38:13,935
So yeah, I'd love everyone
to have deaf education.
732
00:38:13,935 --> 00:38:18,915
I'd love everyone to start talking
about it and for it not to be so taboo.
733
00:38:19,185 --> 00:38:22,125
But then, you know, when you're
in the industry, it's not taboo.
734
00:38:22,335 --> 00:38:23,985
'cause everyone is in the industry.
735
00:38:24,390 --> 00:38:27,990
Talking about it, but it's, it's
the general public and I guess,
736
00:38:28,170 --> 00:38:32,160
you know, that's after 150 years of
indoctrination that death and dying
737
00:38:32,160 --> 00:38:35,940
is something that to be taken care
of by someone else and you know, just
738
00:38:35,940 --> 00:38:37,860
hand it over and we'll deal with it.
739
00:38:37,920 --> 00:38:41,280
And also that whole, you know, don't
talk about it because you jinx yourself.
740
00:38:41,700 --> 00:38:43,650
All of those superstitions
that come with that.
741
00:38:43,650 --> 00:38:45,900
So yeah, I'd love people to.
742
00:38:45,975 --> 00:38:50,595
I think honestly and clearly about
it, and just work with people.
743
00:38:50,745 --> 00:38:53,325
Like the people I collaborate
with, my deaf educators.
744
00:38:53,685 --> 00:38:57,105
They're wonderful people and so everyone
just needs to have one of them as a
745
00:38:57,105 --> 00:39:01,665
friend I think, or come to a workshop
and and start talking about it.
746
00:39:02,205 --> 00:39:07,125
And if people have an interest
in bark basket ba, here we go.
747
00:39:07,125 --> 00:39:13,995
Bark tree, um, basket tree, where could
you encourage them to, to start learning?
748
00:39:14,174 --> 00:39:15,225
Where can people look?
749
00:39:15,660 --> 00:39:18,300
Okay, so there's
associations in most states.
750
00:39:18,360 --> 00:39:20,580
Victoria has the basket
makers of Victoria.
751
00:39:20,580 --> 00:39:23,820
You've got the South Australian basket
makers, you've got basket makers
752
00:39:23,820 --> 00:39:28,710
of New South Wales, Tasmania, um,
spinners and weavers in Queensland.
753
00:39:28,710 --> 00:39:30,570
So there's basket makers
all over the place.
754
00:39:30,960 --> 00:39:31,890
Organizations.
755
00:39:31,890 --> 00:39:33,720
There's also a lot of people teaching.
756
00:39:34,065 --> 00:39:37,964
My recommendation is go with a teacher
who forages their own material and who
757
00:39:37,964 --> 00:39:39,825
actually knows something about basketry.
758
00:39:39,825 --> 00:39:45,134
Because basket making is one of those
industries or one of those areas where
759
00:39:46,035 --> 00:39:49,154
a lot of people do one workshop and
they think that they're ready to teach
760
00:39:49,154 --> 00:39:51,015
and they know very little about it.
761
00:39:51,045 --> 00:39:52,305
They're buying their materials.
762
00:39:52,305 --> 00:39:56,115
They know nothing about the names of
the natural materials or the techniques
763
00:39:56,115 --> 00:39:59,174
or anything, but there are some
really good basket makers out there.
764
00:39:59,174 --> 00:40:02,145
So Instagram is a great
way of finding people.
765
00:40:02,685 --> 00:40:06,855
But yeah, my recommendation is if you
are looking for people, go for people
766
00:40:06,855 --> 00:40:10,545
who are collecting raw material and they
generally have a little bit more knowledge
767
00:40:10,634 --> 00:40:12,944
than those who are purchasing material.
768
00:40:13,154 --> 00:40:17,235
But basketry is a really good start
if you are wanting to make a weapon.
769
00:40:17,355 --> 00:40:17,625
Yeah.
770
00:40:17,685 --> 00:40:19,395
Get some basketry skills.
771
00:40:19,935 --> 00:40:22,965
Is there any other pearls of
wisdom that you'd like to share
772
00:40:22,965 --> 00:40:24,285
that you've learned along the way?
773
00:40:24,455 --> 00:40:24,875
Zimmi
774
00:40:24,944 --> 00:40:25,335
well.
775
00:40:26,540 --> 00:40:27,795
Not pearls of wisdom.
776
00:40:28,515 --> 00:40:32,805
Have plenty of warnings, like the
funeral industry isn't overly interested
777
00:40:32,835 --> 00:40:37,455
in people weaving their own coffins
and the funeral industry is, as you,
778
00:40:37,575 --> 00:40:40,635
you, you would know far more than me
with the people that you interview.
779
00:40:40,635 --> 00:40:45,315
Like it's run by, it's just been
bought by a new company and it,
780
00:40:45,315 --> 00:40:50,805
most of the businesses are different
arms of the one company, and so
781
00:40:51,405 --> 00:40:52,755
they're not very interested in.
782
00:40:53,505 --> 00:40:57,165
Green and there's a lot of greenwashing
actually that goes on, like the whole
783
00:40:57,795 --> 00:41:01,845
basketry, sorry, the coffins that are
coming from Asia, the willow coffins.
784
00:41:02,445 --> 00:41:07,485
I would get people to think seriously
about that because you've got a
785
00:41:08,055 --> 00:41:12,735
material that's somebody else's resource
coming all the way over the ocean
786
00:41:12,735 --> 00:41:15,615
and, and we all know that anything
that comes into Australia that's
787
00:41:15,615 --> 00:41:20,115
a natural fiber gets sprayed with
the most amount of toxic chemicals.
788
00:41:20,384 --> 00:41:24,645
So this green basket that you think that
you are getting is not necessarily green.
789
00:41:25,245 --> 00:41:29,774
And also I do understand that
the Willa that they're using in
790
00:41:29,774 --> 00:41:31,694
Asia is not natural material.
791
00:41:31,694 --> 00:41:33,674
It's not their native material.
792
00:41:33,674 --> 00:41:38,145
So they're importing and they're
creating a monoculture and paying
793
00:41:38,145 --> 00:41:40,575
really low wages to their people.
794
00:41:40,935 --> 00:41:44,955
But also the fact, like I said, that it's
coming all the way over the ocean and
795
00:41:45,075 --> 00:41:46,904
being sprayed to get into the country.
796
00:41:46,904 --> 00:41:48,854
And a lot of them have plastic lining.
797
00:41:49,845 --> 00:41:52,274
This green alternative isn't that green?
798
00:41:52,754 --> 00:41:57,975
And yeah, I'm, I think like I totally
get the whole painting, cardboard,
799
00:41:57,975 --> 00:42:02,564
coffins, but then that also just,
I can feel myself just like stab in
800
00:42:02,564 --> 00:42:07,035
the back because most of the paints
are plastic and it won't break down.
801
00:42:07,035 --> 00:42:11,504
And it's just, especially cadmium
and in the reds and all of the
802
00:42:11,504 --> 00:42:14,250
different colors have all of
these different poisons in them.
803
00:42:15,165 --> 00:42:18,345
That, that also really does concern
me that, and I know that it's a
804
00:42:18,345 --> 00:42:20,265
wonderful therapy for people to do that.
805
00:42:20,384 --> 00:42:23,354
It's just one of those
things I just go, oh, really?
806
00:42:23,354 --> 00:42:28,064
It's not, it's not that green when you
paint it, it's, yeah, you actually bring
807
00:42:28,245 --> 00:42:32,115
toxins back in the ground or into the
atmosphere, which really worries me.
808
00:42:32,120 --> 00:42:32,189
So.
809
00:42:33,420 --> 00:42:35,280
No massive pearls of wisdom.
810
00:42:35,370 --> 00:42:39,240
If anyone's thinking of getting
into weaving coffins, come and do a
811
00:42:39,240 --> 00:42:44,190
workshop with me and see what it's
like because it's very time consuming.
812
00:42:44,190 --> 00:42:48,090
Like I said, there's about 60 hours
of collecting and about 60 hours
813
00:42:48,090 --> 00:42:52,710
of weaving, so anyone who's really
sensible, you won't get into it.
814
00:42:54,360 --> 00:42:56,550
It's just like it's, it's
a crazy thing to be doing.
815
00:42:56,759 --> 00:42:58,920
It really is, but it's, yeah.
816
00:42:59,070 --> 00:43:01,125
My morals and ethics are.
817
00:43:02,070 --> 00:43:03,510
That things aren't about money.
818
00:43:03,570 --> 00:43:06,270
It's about doing the best
thing for the planet.
819
00:43:06,330 --> 00:43:09,810
And so that's why I do what I do,
but anyone who's interested in
820
00:43:09,810 --> 00:43:13,650
as a business will quickly decide
that it's just not a good business.
821
00:43:14,010 --> 00:43:14,190
Yeah.
822
00:43:15,570 --> 00:43:16,530
But support people
823
00:43:16,530 --> 00:43:17,880
who do do these things.
824
00:43:18,600 --> 00:43:25,589
That's very true and, and I do really
love how it all comes back to it
825
00:43:25,589 --> 00:43:29,970
based on your way of living and how
you leave the footprint on the land
826
00:43:29,970 --> 00:43:31,350
that you are, you are walking on.
827
00:43:31,350 --> 00:43:35,460
And I think just even, even at the
start when you were talking about how.
828
00:43:36,000 --> 00:43:39,899
The permaculture thoughts of you
don't drive your car unless you've
829
00:43:39,899 --> 00:43:41,490
got three things that you're doing.
830
00:43:41,759 --> 00:43:45,839
So just even breaking down your
everyday life and the way in which
831
00:43:45,839 --> 00:43:47,580
you think has been very insightful.
832
00:43:47,580 --> 00:43:50,609
Zimmi, I can't thank you enough
for spending time with us today.
833
00:43:51,839 --> 00:43:52,080
Thank you, Catherine.
834
00:43:52,080 --> 00:43:55,649
Thanks for your interest and I hope that
it, it is enlightening to some people
835
00:43:55,649 --> 00:44:00,960
and that Yeah, if people are interested,
there's always like, I'm running workshops
836
00:44:00,960 --> 00:44:04,259
for the public and also running how
to weave your own coffin workshop.
837
00:44:04,350 --> 00:44:07,049
And yeah, I'm the only
one doing it in Australia.
838
00:44:07,049 --> 00:44:09,390
So please get in contact and
839
00:44:09,870 --> 00:44:14,160
talk to me and have a go and we
will have all of your details
840
00:44:14,160 --> 00:44:15,720
listed in the show notes as well.
841
00:44:15,720 --> 00:44:17,770
So thank you so much again, Zimmi.
842
00:44:17,790 --> 00:44:19,080
I've really loved our chat today.
843
00:44:19,560 --> 00:44:20,370
Much appreciated.
844
00:44:20,370 --> 00:44:20,670
Thank you.
845
00:44:24,330 --> 00:44:27,750
We hope you enjoyed today's
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846
00:44:28,049 --> 00:44:29,820
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847
00:44:30,540 --> 00:44:34,830
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848
00:44:34,830 --> 00:44:36,630
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849
00:44:36,900 --> 00:44:40,500
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850
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Resources
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- Follow on Instagram: weaving_nature
- Make Death Admin Easy with The Critical Info Platform
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- My Loved One Has Died, What Do I Do Now?
Our guide, ‘My Loved One Has Died, What Do I Do Now?’ provides practical steps for the hours and days after a loved one's death. Purchase it here.
- Support Services
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