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About this episode
In this episode of Don't Be Caught Dead, I sit down with Leah Kaminsky, a physician and award-winning author, to explore the often-taboo subject of death and dying. Leah shares her personal journey from being a terrified doctor to becoming a passionate writer who confronts mortality head-on. We discuss how her experiences in medicine, particularly with dying patients, have shaped her understanding of life and death, and how writing has become a therapeutic outlet for her fears and emotions.
Leah's unique perspective as both a doctor and a writer allows her to weave together the complexities of human experience, history, and the inevitability of death in her novels and poetry. We delve into her creative process, the importance of honesty in conversations about death, and how her own family history has influenced her work. Leah's insights remind us that while death is a natural part of life, it can also be a catalyst for deeper connections and a more meaningful existence.
Join us as we unpack the layers of grief, the significance of storytelling, and the power of confronting our fears. Leah's journey is a testament to the idea that by embracing death, we can truly learn to live.
Remember; You may not be ready to die, but at least you can be prepared.
Take care,
Catherine
Show notes
Guest Bio

A Physician and Award-Winning Author
Leah Kaminsky’s debut novel The Waiting Room won the Voss Literary Prize and was shortlisted for the Helen Asher Award (Vintage Australia 2015, Harper Perennial US 2016). Her second novel, The Hollow Bones (Vintage) won the 2019 International Book Awards in both Literary Fiction & Historical Fiction categories and the 2019 Best Book Awards for Literary Fiction. Her third novel is Doll’s Eye (Penguin-Random House Australia, 2023). We’re all Going to Die has been described as ‘a joyful book about death’ (Harper Collins, 2016). Animals Make Us Human was a fundraiser for conservation organisations, co-editor Meg Keneally. She edited Writer MD (Knopf US, starred on Booklist 2011) and co-authored Cracking the Code (Vintage 2015). Stitching Things Together was a finalist in the Anne Elder Poetry Award.
She has written for the BBC, the Guardian, Huffington Post, Monocle, Sydney Morning Herald, The Age, Griffith Review, SBS, LitHub, The Rumpus, National Theatre UK, Griffith Review, Forward, Creative Nonfiction, Hunger Mountain, Antipodes, Metazen, The Australian, The Sydney Morning Herald, The Age, Chicago Quarterly Review, r,kv.r.y, Hippocrates Poetry Prize anthology, The Ampersand Review, [PANK], Voices, Australian Poetry, Quadrant, The Binnacle, Evening Paper, Victorian Writer, The Examined Life, Mattoid, Cordite Poetry Review, Transnational Literature, amongst others.
She is former Poetry & Fiction Editor of the Medical Journal of Australia. She has been awarded a Cove Park Fellowship (Bridge Awards/EIBF/Varuna) the McCraith Fellowship (RMIT University), the Eleanor Dark Flagship Fellowship for Fiction (Varuna), a Bundanon Fellowship, the Varuna-Griffith Review Fellowship, the Billila Bayside Council Fellowship, Glenfern Fellowship (Writers Victoria) and a Varuna Publisher’s Fellowship.
She holds an MFA in Creative Writing from Vermont College of Fine Arts (USA) and a BA in Literature from Deakin University.
Summary
Key points from our discussion:
- Leah's transition from a fearful doctor to a writer exploring death and dying.
- The importance of honest conversations about death, especially with children.
- How personal experiences with loss and family history shape our understanding of mortality.
- The role of writing as a therapeutic process in confronting fears.
- The connection between history, storytelling, and our relationship with death.
Transcript
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Inside.
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I was terrified.
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I was terrified of death.
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And I woke up one morning very well
into my career with that realization
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that I am a doctor, terrified of
death and dying for that matter.
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And it's like it's a pizza
chef scared of his dough. ... Read More
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00:00:01,230 --> 00:00:01,890
Inside.
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00:00:01,890 --> 00:00:02,730
I was terrified.
3
00:00:03,060 --> 00:00:04,380
I was terrified of death.
4
00:00:04,440 --> 00:00:09,570
And I woke up one morning very well
into my career with that realization
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that I am a doctor, terrified of
death and dying for that matter.
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And it's like it's a pizza
chef scared of his dough.
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Like that's what I deal with.
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Welcome to Don't Be Caught Dead, a
podcast encouraging open conversations
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about dying and the death of a loved one.
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I'm your host, Catherine Ashton, founder
of Critical Info, and I'm helping to
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bring your stories of death back to life.
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Because while you may not be ready
to die, at least you can be prepared.
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Don't be caught dead.
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Acknowledges the lands of the cool
and nations and recognizes their
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connection to land, sea, and community.
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We pay our respects to their elders
past, present, and emerging, and
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extend that respect to all Aboriginal
and Torres Strait Islander and First
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Nation peoples around the globe.
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Today I have with me Leah Kaminski.
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Leah Kaminski is a physician
and an award-winning writer.
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Her debut novel, the Waiting
Room, won the Voss Literary Prize.
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The Hello Bones won both the literary
fiction and historical fiction
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categories of the 2019 International
Book Awards and the 2019 American
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Best Book Award for literary fiction.
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Leah holds a master of fine Arts from
Vermont College of Fine Arts in the USA.
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Leah, I'm so excited to have you
with us on the podcast today.
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Welcome.
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Thanks for having me,
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Catherine.
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Now, we had the.
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Opportunity to meet while you
were doing a talk at Frankston
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Library just before Christmas.
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So I think I mentioned just
previously that you've been my
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company all my Christmas holidays.
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I've had the beautiful pleasure of reading
two of your books while I've been r and r.
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So the two that I have read are the hollow
bones and also we're all going to die.
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Bit of light reading over Christmas.
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Hey.
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Yeah, and I have to say that I did
give a few of your books away as
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presents as Christmas gifts, and
they were certainly appreciated and
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well read over the Christmas period.
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Thank you.
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The thing that strikes me is how does
a qualified physician get started
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in writing and poetry as well?
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It's more that, how does a physician
get started from when you were a writer?
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So grade three would
go back to grade three.
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I was captain of the tunnel ball team.
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I'll have, you know, but for
sports lessons, I used to, I.
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Miss Gras, the librarian used
to hide me in the library so
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I didn't have to go to sport.
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Okay.
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Ah, I was a bookworm,
absolute crazy reader.
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And turning point in my life was in
grade three, Ms. Elizabeth Weeks.
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My grade three teacher published my
very first poem in the school magazine,
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and it was called the Royal Beatle Bug.
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Oh, how lovely.
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And that was my first published poem,
had the word psychedelic in it, which is.
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Sort of telling my age.
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Pretty good for grade three.
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That's amazing.
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So what I'm basically trying to, what I'm
blathering on about is that I've always
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been obsessed with reading and I've
always written to get into medical school,
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which is what I always wanted to do.
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Well, actually, I also wanted to
do vet. So it was either that or
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vet. Anyway, I basically got in
on my English and French marks.
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Oh, really?
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Didn't do that well in biology
and chemistry, so I was not
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like an A science student.
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Okay.
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Yep.
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So I got in and then over six years of
study, I really had to kind of develop
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what I call tunnel vision of the soul,
where you just only look in front
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of you, you're only kind of getting
through medical school, and I dropped.
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All my other creative things that I was
doing, dance and drawing and reading.
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I just six years of just bam.
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And then by the time I sort of got out,
did my internship and then I was starting
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to do a pediatric training program.
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I was rostered on for Christmas night.
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I was on the pediatric oncology
ward and there was a little boy
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there who was dying and I was the
only one on, and I was a junior.
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Like I was a very junior doctor.
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I. And he spiked a fever and
I rang up the consultant.
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I said, I dunno what to
do, what should I do?
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And he said, this is the
senior doctor in charge.
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He said, you've gotta do
a spinal tap, Kaminsky.
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I. And I'm like, there's a 7-year-old
dying boy here on Christmas Eve.
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I'm gonna do a spinal tap.
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Well, you didn't have a choice.
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Like, you know, you were the junior
and you just did what they said.
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And it was one of the most horrific
experiences of my life, but also a
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turning point in my life because you
know, you gown up, you put the mask on,
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and all they can really see is your eyes.
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And this poor little
boy turned around to me.
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I can still remember his
face and his huge eyes.
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And he said, is this going to hurt?
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And I'd become such a shell
of a human being that I lied.
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I said, no, it's not gonna hurt.
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And I just sort of went into robot mode
and just, you know, did the spinal tap
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out, came the fluid, the kid was screaming
and I just remember, you know, I walled
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off to do the procedure and then I just
had to leave the room and I was on a,
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you know, 56 hour shift or something and
got back to the doctor's room and fell.
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Apart, I think everything I'd tried to
hold together over all of my studies and
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the sort of, you know, the suffering of
humanity that you see, um, fell apart.
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And that's when I, I took a break
and I was actually living with
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a guy in Sydney who was dying
at the time, at the age of 32.
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And I, I, I did a writing course,
just, you know, an adult education
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thing for a couple of weeks.
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And then I applied for A NYU
was running a summer program.
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In writing.
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So I went across and took up some
poetry and short story courses, and
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I just felt like I'd come home again
and it allowed me to sort of, it was
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kind of a therapeutic process in a way.
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It allowed me to process everything
I'd seen as a young doctor through
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the lens of the written word.
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It's a very long-winded way of telling you
I'm probably really a humanities chick,
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but I think that, I remember when
you first told that story, when
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I met you, and I just thought it
really does indicate that sort of
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division between the physician and
how you, you're raised or taught in
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a medical environment and then that.
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Perhaps lack of skill that's taught
in relation to communicating and
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the human side of medical training.
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And my heart just, oh,
I really felt for you.
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You know, a girlfriend of mine works
in Ed and she went to study as an
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adult after she had her first child.
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And I just, I know that.
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Long hours and the pressure
that you must have been under.
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So I really feel for you, and I'm
not surprised, that was a very
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significant moment in your life.
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Look, I think things have gotten better.
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Hopefully things have gotten better in
the training system nowadays, although,
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but I think for me it's, you know,
I've, I've always kind of, I really
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enjoyed the side of medicine as a
student and as a junior doctor, you
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know, as a kind of birth kind of girl,
you know, and worked in pediatrics and.
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Kind of more, I guess, the
happy side of medicine.
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And so when it came to anything to do
with death, which, you know, I remember
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in my undergraduate years we had a
whole week, which was called sex week.
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And we were trained, you know,
we talked about sex very openly.
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I'd still remember, I. Sitting
at Queen Victoria Hospital in, in
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its day in the city, in Melbourne.
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Yeah.
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And we were asked to cover the whiteboard.
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It might've been a blackboard then
with names that we know for genitalia.
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And one side was.
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Penis and the other side was vagina
or you know, I don't think they
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mentioned clitoris in those days.
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Yep.
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It certainly hadn't been
mapped by that stage.
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No, we had not.
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So there were all these sort of, you know,
slang words and we just covered the board.
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We just, everything about sex, we would
talk about, when I look back through
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the years, did we ever talk about death?
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Zero.
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Nobody discussed death.
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And so it became a sort of a verboten,
like you just, I still remember for
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years and years when I'd send someone
off for, I dunno, a CT scan or something,
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expecting it to come back normal.
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And then you'd have these words
written across in code, you know,
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metastatic infiltrate meaning.
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There's secondaries from
cancer or you know, there's a
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suspicious shadow of metaplasia.
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And I'd sit there with this and
this patient sitting up speed.
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And I still remember, I mean,
how disingenuous I had become.
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I'd sort of sit there kind of going, oh,
well, um, doesn't it look too bad And do
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anything I could to kind of gloss over it?
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And then.
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Handball the patient
off to the specialist.
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I'm just gonna send you to someone
just to double check because
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I'm not a hundred percent sure.
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Blah, blah, blah.
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I mean, obviously I wasn't that
callous, but inside I was terrified
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and I didn't have the skills.
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I was terrified of death, and I woke up
one morning very well into my career.
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With that realization that I
am a doctor, terrified of death
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and dying for that matter.
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And it's like it's a pizza
chef scared of his dough.
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Like that's what I deal with.
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So there's this big gap in my
education and in my maturity, I think.
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And that really set me on the path
of, you know, middle-aged goth girl,
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exploration of death and dying.
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And that's when I started writing.
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We're all gonna die.
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And it started with this little
boy Joshua, back in those days
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when he turned around and said,
you know, don't lie to me.
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Is this gonna hurt?
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And I said, no.
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And he said, don't lie to me.
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So I'd sort of been glossing over
it for years and years and years.
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And Leah, was there one particular
incident that before you woke up
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that morning, was there something
that led to that point that you
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went, oh, okay, I've actually got.
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A fear of death, and I
probably need to think
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more about this.
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There were lots of incidents and it
sort of built up like, I guess one
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turning point that occurs to me.
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I had a lovely old elderly patient called
Merv, and you know, he lived on his own.
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00:10:31,645 --> 00:10:34,944
I think his neighbor sort of looked
into, you know, throw some food
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00:10:34,944 --> 00:10:36,834
at him occasionally he had a lamb.
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00:10:37,229 --> 00:10:40,770
Down the back of the garden and
lots of stray animals around.
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And I walked in to do a home visit and
he was poking some baked beans around
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a plate and I. Got bitten by his duck.
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Wow.
202
00:10:52,425 --> 00:10:53,925
That really is a house call, isn't it?
203
00:10:53,925 --> 00:10:55,395
The duck never liked me.
204
00:10:55,545 --> 00:10:59,925
The duck was onto me because I'd
sort of, oh, Dolly hockey sticks.
205
00:10:59,925 --> 00:11:01,035
Hi Erv, how are you?
206
00:11:01,035 --> 00:11:01,816
La la la.
207
00:11:01,965 --> 00:11:02,295
Yeah.
208
00:11:02,415 --> 00:11:07,065
And then I said one day, I don't
know why I, I can't remember what
209
00:11:07,065 --> 00:11:08,595
prompted it, but I said to him.
210
00:11:09,060 --> 00:11:09,360
Move.
211
00:11:09,360 --> 00:11:10,620
Do you ever think about dying?
212
00:11:10,980 --> 00:11:13,980
And he said to, because I was thinking
like, what's gonna happen with you?
213
00:11:13,980 --> 00:11:15,570
Like no one's looking after you.
214
00:11:15,570 --> 00:11:15,690
Yeah.
215
00:11:16,050 --> 00:11:19,200
And he said to me, just very laconic.
216
00:11:19,200 --> 00:11:19,410
And he goes.
217
00:11:20,265 --> 00:11:20,985
Nah, doc.
218
00:11:21,225 --> 00:11:21,705
Nah.
219
00:11:22,725 --> 00:11:26,145
If I ever thought about dying,
I'd die a thousand deaths a day.
220
00:11:26,415 --> 00:11:29,535
It was in that whole sort of
phase of me thinking, I've just
221
00:11:29,535 --> 00:11:33,675
gotta get my act together, not
only for me, but for my patients.
222
00:11:33,735 --> 00:11:36,915
Because I think if you're not
comfortable talking about dying in
223
00:11:36,915 --> 00:11:39,495
my profession, let alone in society.
224
00:11:39,790 --> 00:11:42,219
Then I think, you know, it's not good.
225
00:11:43,780 --> 00:11:46,839
And Leah, had you had
children at that stage?
226
00:11:47,050 --> 00:11:48,400
Yeah, I had three children.
227
00:11:49,180 --> 00:11:49,390
Yeah.
228
00:11:49,390 --> 00:11:54,189
I mean, if you stick me on an analyst's
couch and you know, ask me why I was
229
00:11:54,189 --> 00:11:56,530
scared of death, it's pretty damn obvious.
230
00:11:56,530 --> 00:12:01,089
I grew up, my mother was wonderful,
gorgeous, loving mother, but you
231
00:12:01,089 --> 00:12:04,959
know, she was a sole survivor at
21 of Auschwitz and Bergen Belsen.
232
00:12:05,349 --> 00:12:08,050
So I had absolute no family on that side.
233
00:12:08,050 --> 00:12:08,349
And.
234
00:12:08,955 --> 00:12:10,995
I know she talked to me about it.
235
00:12:11,025 --> 00:12:12,675
She died when I was 21.
236
00:12:13,035 --> 00:12:18,825
She took an overdose and so I spent a
lot of my youth, as we all do, running
237
00:12:18,825 --> 00:12:23,685
away from, I then had to spend the rest
of my adult life trying to recapture.
238
00:12:23,955 --> 00:12:29,745
And so I think for me, death was
scary because it was traumatic death
239
00:12:29,745 --> 00:12:32,745
that I, you know, Osmos as a child.
240
00:12:32,925 --> 00:12:35,655
And then as a 21-year-old,
my mother dying also.
241
00:12:35,655 --> 00:12:36,615
So I think that.
242
00:12:37,275 --> 00:12:40,785
You know, you don't have to analyze
me very deeply to understand.
243
00:12:41,445 --> 00:12:45,945
Why I was terrified of all of
that, but going on this journey,
244
00:12:46,065 --> 00:12:50,235
really, I think it's called a
joyful, a joyful book about death.
245
00:12:50,265 --> 00:12:51,045
That's back to front.
246
00:12:51,045 --> 00:12:51,225
But
247
00:12:52,230 --> 00:12:52,520
yeah,
248
00:12:52,635 --> 00:12:53,505
I I love that.
249
00:12:53,505 --> 00:12:53,565
Yeah.
250
00:12:53,565 --> 00:12:54,855
With the butterflies on it.
251
00:12:55,360 --> 00:12:58,365
I know I did have a giggle when
I read that and I thought, oh,
252
00:12:58,365 --> 00:12:59,775
well this is gonna be a good read.
253
00:13:00,785 --> 00:13:04,265
Because I thought, you know, my friends
and family thought, oh God, really?
254
00:13:04,265 --> 00:13:06,455
Leah, you know, lighten up.
255
00:13:06,875 --> 00:13:09,125
And I thought, no, I've got to do this.
256
00:13:09,125 --> 00:13:12,395
And I, I'd never been to my
parents since my parents died.
257
00:13:12,395 --> 00:13:14,225
I'd never been back to the cemetery.
258
00:13:14,525 --> 00:13:15,995
So that was my first trip.
259
00:13:15,995 --> 00:13:20,094
You know, I. Go back and I'm sounding
very morbid, but I No, no, no, it's not.
260
00:13:20,214 --> 00:13:22,645
I went and spoke to, you know,
I live around the corner from a
261
00:13:22,645 --> 00:13:24,295
cemetery and I'd never been there.
262
00:13:24,295 --> 00:13:27,444
And so I started walking around there
and I found Sir John Monash's grave.
263
00:13:27,444 --> 00:13:32,125
And you know, I spoke to the grave
diggers there and the crematorium
264
00:13:32,484 --> 00:13:33,474
guy that runs the Cremator.
265
00:13:33,775 --> 00:13:36,474
It was, they were actually
such uplifting human beings.
266
00:13:36,474 --> 00:13:39,025
It was really quite fun in a strange way.
267
00:13:39,025 --> 00:13:43,410
And then I was starting to read a
lot about death and I. Thought, oh,
268
00:13:43,410 --> 00:13:44,910
this is gonna be really depressing.
269
00:13:44,970 --> 00:13:48,960
But then I read about a place that
had opened not long before called the
270
00:13:48,960 --> 00:13:53,250
Morbid Anatomy Museum in New York, and
I thought, yeah, that sounds amazing.
271
00:13:53,700 --> 00:13:56,910
I've got my inner goth girl
on middle aged goth girl.
272
00:13:57,330 --> 00:13:57,600
Yeah.
273
00:13:57,660 --> 00:14:00,855
And I applied, I said, would
you like a writer in residence?
274
00:14:01,260 --> 00:14:02,520
And they were like, yeah.
275
00:14:03,300 --> 00:14:04,950
And I went over there for a month.
276
00:14:04,965 --> 00:14:09,555
And I got to sit in this museum that was
just, I mean, it's not there anymore.
277
00:14:09,555 --> 00:14:11,625
I think it, it closed up about a year ago.
278
00:14:12,435 --> 00:14:13,875
It was mad.
279
00:14:14,115 --> 00:14:17,055
They had taxidermy classes and workshops.
280
00:14:17,625 --> 00:14:22,155
You know, I was, my desk was near
a, a two-headed duck under glass.
281
00:14:22,365 --> 00:14:26,595
They had victoriana of, you know, the
hair, the memorials of people's death.
282
00:14:26,745 --> 00:14:26,955
Yeah.
283
00:14:26,955 --> 00:14:31,280
At the same time, there was a. Exhibition
of Victorian mourning on at the Met.
284
00:14:31,550 --> 00:14:36,260
So it was just coming at me from all
angles, but it was actually really fun
285
00:14:36,439 --> 00:14:41,750
and I got to sort of, I guess, desensitize
myself in a way to exposing myself to the
286
00:14:41,750 --> 00:14:44,569
idea of death in a kind of strange way.
287
00:14:44,569 --> 00:14:47,869
And, and yeah, and speaking to a lot
of people about their experiences.
288
00:14:47,869 --> 00:14:49,609
So the whole project.
289
00:14:49,640 --> 00:14:54,470
I guess it was sort of a self-help
book for me, but I was surprised at
290
00:14:54,620 --> 00:14:57,860
how joyful it actually became, because
the one thing that, I mean, this is
291
00:14:57,860 --> 00:15:01,670
a bit cliche, but the one thing that
happens when you kind of think about
292
00:15:01,670 --> 00:15:06,680
death and speak about death is that life
becomes all that much more precious.
293
00:15:07,050 --> 00:15:09,780
Otherwise, I think we go
through life thinking, oh, well,
294
00:15:09,780 --> 00:15:11,035
you know, we've got forever.
295
00:15:11,400 --> 00:15:11,970
Well, you haven't,
296
00:15:12,630 --> 00:15:15,660
I totally agree with you on so
many things that you're saying.
297
00:15:15,690 --> 00:15:20,130
Obviously I stumbled into this
world that I'm now involved
298
00:15:20,130 --> 00:15:22,741
with, and for me it was about.
299
00:15:23,390 --> 00:15:27,170
Education and making sure that there
was a platform for people to learn
300
00:15:27,170 --> 00:15:30,350
about the myriad of choices and options.
301
00:15:30,350 --> 00:15:35,000
And the one thing with all of the,
and very similar to you, the one thing
302
00:15:35,000 --> 00:15:39,740
that I've found is that it has taught
me more about life than what it has.
303
00:15:39,800 --> 00:15:43,969
Actually about death because death
is really just another part of the
304
00:15:43,969 --> 00:15:49,189
life cycle, and it does all talk
about how we live and what we value.
305
00:15:49,250 --> 00:15:53,930
And so it really is also, when
we think about it, it's about
306
00:15:53,930 --> 00:15:55,219
our history and who we're.
307
00:15:55,475 --> 00:16:00,095
Come from and our heritage
and it is all associated with
308
00:16:00,455 --> 00:16:02,074
people who have passed and died.
309
00:16:02,194 --> 00:16:02,615
Absolutely.
310
00:16:02,615 --> 00:16:04,835
I mean, my mother's sort of, you
know, sitting in the corner of
311
00:16:04,835 --> 00:16:06,425
the room here, chain smoking.
312
00:16:06,755 --> 00:16:07,550
Yeah, yeah, yeah.
313
00:16:07,805 --> 00:16:09,305
You know, what are you doing?
314
00:16:09,425 --> 00:16:10,925
Talking about all this stuff, you know?
315
00:16:10,925 --> 00:16:11,885
You should have been a lawyer.
316
00:16:12,425 --> 00:16:12,875
Yeah.
317
00:16:12,875 --> 00:16:15,875
I could still, and she's been dead
for years and this, but I still.
318
00:16:17,055 --> 00:16:19,244
Not in a woo woo way, but she's present.
319
00:16:19,244 --> 00:16:22,844
I, she's in me, I hear her
voice, I hear her wisdom.
320
00:16:23,204 --> 00:16:24,405
You know, I see her smoking.
321
00:16:24,405 --> 00:16:25,275
I wanna stop that.
322
00:16:25,425 --> 00:16:25,875
Yeah.
323
00:16:25,875 --> 00:16:26,234
Yep.
324
00:16:26,380 --> 00:16:31,635
The dead, I think, are kind of present
for me all the time in whispers, and
325
00:16:31,635 --> 00:16:35,055
I don't believe in ghosts and I'm
not religious, nothing like that.
326
00:16:35,114 --> 00:16:38,265
I don't mean it in a spooky way, but
I think, you know, their heritage
327
00:16:38,265 --> 00:16:41,714
and what we've learned from them and
what they've imbued in us is with us.
328
00:16:41,714 --> 00:16:42,224
And so.
329
00:16:42,295 --> 00:16:44,964
Not thinking about them, I
think is not honoring them.
330
00:16:44,964 --> 00:16:45,535
Also,
331
00:16:45,714 --> 00:16:49,314
it's the stories that we tell
and the stories that we remember.
332
00:16:49,525 --> 00:16:54,895
Like I think of my father, how I
am where I am today, and I thought
333
00:16:54,985 --> 00:16:58,255
that death and having a will and
things like that were normal.
334
00:16:58,255 --> 00:17:01,525
And it wasn't until I embarked on this
process that I realized not everyone
335
00:17:01,525 --> 00:17:05,724
has that sort of administration or
that paperwork in place, you know?
336
00:17:05,784 --> 00:17:07,615
But for me it was normal because.
337
00:17:07,900 --> 00:17:09,940
You know, he was a clerk of courts.
338
00:17:09,940 --> 00:17:12,340
He worked in the coroner's
court, so it was just a standard
339
00:17:12,340 --> 00:17:13,870
thing that we all grew up with.
340
00:17:13,870 --> 00:17:15,760
That was just a normal, natural thing.
341
00:17:15,975 --> 00:17:19,900
But you know, you do, I think, grow
up, especially during your formative
342
00:17:19,900 --> 00:17:25,540
years of constantly and especially I
think it, it was when I had my son,
343
00:17:25,810 --> 00:17:29,560
that you also have those little, you
know, devils and angels and those family
344
00:17:29,560 --> 00:17:31,240
members on your shoulders that actually.
345
00:17:32,030 --> 00:17:34,340
I like your mom sitting
there, smoking in the corner
346
00:17:36,680 --> 00:17:37,490
telling you different
347
00:17:37,490 --> 00:17:37,879
pieces
348
00:17:37,879 --> 00:17:38,000
of
349
00:17:38,000 --> 00:17:38,480
advice.
350
00:17:38,629 --> 00:17:39,290
So, yeah.
351
00:17:39,530 --> 00:17:43,010
But you know, one of my clients said
to me that, you know, we were talking
352
00:17:43,010 --> 00:17:46,910
about she'd lost her husband and we were
talking about the stages of grief and
353
00:17:46,910 --> 00:17:49,461
I was sort of, you know, kind of quite
in crude Ross and blah, blah, blah.
354
00:17:49,790 --> 00:17:52,520
And she goes, Lee, you've
missed the first stage of grief.
355
00:17:52,970 --> 00:17:53,780
And I'm, what?
356
00:17:53,810 --> 00:17:54,200
What?
357
00:17:54,200 --> 00:17:55,070
Hang on, I've written the book.
358
00:17:55,070 --> 00:17:55,670
What are you talking about?
359
00:17:56,510 --> 00:17:56,930
And she goes.
360
00:17:57,389 --> 00:18:00,520
It's admin, it's, it's exactly admin.
361
00:18:00,675 --> 00:18:04,875
And nobody, I was so delighted to
see what you've been working on.
362
00:18:04,875 --> 00:18:06,585
Nobody guides you.
363
00:18:06,585 --> 00:18:10,215
I mean, there's guides to sex and there's
guides to accounting and there's God, but
364
00:18:10,215 --> 00:18:14,475
there's nothing that guides you through
the process, that administrative process
365
00:18:14,475 --> 00:18:18,375
that hits you straight in the face,
the minute someone close to you dies.
366
00:18:18,435 --> 00:18:22,784
And it's horrific sometimes and
people don't prepare for it.
367
00:18:23,534 --> 00:18:26,115
You know, there's, I've got a lot
of families where you just can't.
368
00:18:26,415 --> 00:18:30,525
Talk about death or dying or what
if for, you know, would you think
369
00:18:30,525 --> 00:18:31,725
of putting in advanced care?
370
00:18:31,785 --> 00:18:34,215
They just will not talk about it.
371
00:18:34,215 --> 00:18:36,195
So you have to tread very gently.
372
00:18:36,465 --> 00:18:38,865
But I think society's a
lot to blame for that too.
373
00:18:38,865 --> 00:18:41,745
We're a death denial,
death denying society.
374
00:18:41,745 --> 00:18:41,805
I.
375
00:18:41,980 --> 00:18:46,090
And as you mentioned in your book,
it's that medicalization of death
376
00:18:46,270 --> 00:18:49,000
that it no longer occurs in the home.
377
00:18:49,270 --> 00:18:52,600
You know, it's sort of outsourced
because generally we are living
378
00:18:52,600 --> 00:18:57,010
longer, so we're moving to
residential care, aged care facilities
379
00:18:57,280 --> 00:18:58,930
out of sight outta mind kind of thing.
380
00:18:58,935 --> 00:18:59,649
Yeah, yeah.
381
00:18:59,710 --> 00:19:02,530
Whereas, you know, they used to be in the
middle of the living room with everyone.
382
00:19:02,545 --> 00:19:03,505
Sitting the vigil.
383
00:19:03,595 --> 00:19:03,925
Yeah,
384
00:19:03,985 --> 00:19:04,645
yeah, yeah.
385
00:19:04,645 --> 00:19:09,025
And the whole reason why the front
room was called parlor in an old home
386
00:19:09,025 --> 00:19:12,685
was it was where you laid out your
debt and people would pay respects.
387
00:19:12,830 --> 00:19:16,315
I think that I saw some of the houses,
the older Victorian houses were built with
388
00:19:16,315 --> 00:19:18,865
the little kind of alcove for the coffin.
389
00:19:19,285 --> 00:19:21,385
So just walk through some of
the houses, you'll see where
390
00:19:21,385 --> 00:19:22,975
they used to put the coffins and
391
00:19:22,975 --> 00:19:23,635
yeah.
392
00:19:24,175 --> 00:19:24,865
And so.
393
00:19:25,260 --> 00:19:30,510
With writing this book, and I'll
move on to how it has become a
394
00:19:30,510 --> 00:19:34,860
theme in your writing across your
novels and into your poetry as well.
395
00:19:34,860 --> 00:19:39,420
But with the research that you did
with this book, how does death sit with
396
00:19:39,420 --> 00:19:44,040
you now and how do you think that has
influenced how you are as a physician?
397
00:19:44,370 --> 00:19:45,180
Oh gosh.
398
00:19:45,450 --> 00:19:48,930
You know, it's 10 years on, I think,
since I wrote the book, or thereabouts.
399
00:19:48,930 --> 00:19:50,280
Yeah, so I've gotten older.
400
00:19:50,715 --> 00:19:54,585
I certainly, after the writing of
the book, felt much more at peace.
401
00:19:54,735 --> 00:19:55,815
Unable to talk.
402
00:19:55,845 --> 00:20:00,735
You know, I did the circuit talking about
the book a lot, and I think for me, you
403
00:20:00,735 --> 00:20:05,355
know, by ignoring death, I'd been ignoring
life in a way because it was hanging over
404
00:20:05,355 --> 00:20:07,545
me the whole time as this dreadful fear.
405
00:20:07,545 --> 00:20:09,120
I. And I think that lifted.
406
00:20:09,270 --> 00:20:13,620
So I think it made me realize how
much more precious our days are and
407
00:20:13,800 --> 00:20:16,889
you know, yeah, I'll still lie on the
couch and watch Netflix for forever
408
00:20:16,889 --> 00:20:18,510
and eat chips, but I could do that.
409
00:20:18,570 --> 00:20:19,379
Like that's fun.
410
00:20:19,379 --> 00:20:19,439
Yeah.
411
00:20:19,560 --> 00:20:20,879
I get to choose now.
412
00:20:21,149 --> 00:20:21,689
Yeah.
413
00:20:21,780 --> 00:20:24,780
So I think it's made me a
lot calmer about things.
414
00:20:25,185 --> 00:20:28,335
And, you know, it forced me
to get my paperwork in place.
415
00:20:28,335 --> 00:20:32,505
I don't want my kids to go through
what I had to go through and that 21
416
00:20:32,505 --> 00:20:34,185
sorting through all my mother's stuff.
417
00:20:34,185 --> 00:20:38,205
And uh, so, you know, I did a bit of
Swedish death cleaning and still can't
418
00:20:38,205 --> 00:20:39,735
throw out my children's drawings.
419
00:20:39,735 --> 00:20:41,055
Don't they hate me for it?
420
00:20:42,195 --> 00:20:46,095
I view that as their legacy, that
they have to actually organize
421
00:20:46,095 --> 00:20:50,085
at some stage in a big plastic
box that I just give back to him.
422
00:20:51,800 --> 00:20:52,910
That's what I'm going to do.
423
00:20:53,450 --> 00:20:53,720
Yeah.
424
00:20:53,720 --> 00:20:59,060
So I think for me it, it's just
made me far more deliberate in
425
00:20:59,060 --> 00:21:04,520
my choices of what I want to do
and less BS in my life possibly.
426
00:21:04,610 --> 00:21:04,850
Yeah.
427
00:21:05,210 --> 00:21:05,390
Yeah.
428
00:21:05,450 --> 00:21:09,945
And I've just really honed, I.
Yeah, what is it that lights me
429
00:21:09,945 --> 00:21:13,845
up and how can I contribute to
the world and to other people?
430
00:21:14,115 --> 00:21:18,315
Sounds all a bit sappy, but I mean
it genuinely, I think I've stopped
431
00:21:18,315 --> 00:21:20,115
just skating over things and just,
432
00:21:20,235 --> 00:21:21,135
oh yeah, whatever.
433
00:21:21,524 --> 00:21:28,455
It totally makes sense, Leah, and the
theme of death is certainly a very strong
434
00:21:28,485 --> 00:21:30,735
one throughout all of your writing.
435
00:21:31,245 --> 00:21:37,395
But what I find really interesting is
the way in which you also have integrated
436
00:21:37,395 --> 00:21:43,125
history, like a lot of history in your
novels, but it's not that I'm exhausted
437
00:21:43,125 --> 00:21:45,344
with statistics or anything like that.
438
00:21:45,375 --> 00:21:47,834
You've actually embedded
it into your storytelling.
439
00:21:47,955 --> 00:21:49,875
I feel like I'm part of history.
440
00:21:50,235 --> 00:21:53,115
As I'm reading it, it's a very
beautiful thing that you've done.
441
00:21:53,115 --> 00:21:57,405
Can you talk me through your process and
how you've perhaps done that over the
442
00:21:57,405 --> 00:21:59,415
series of novels that you've written?
443
00:21:59,534 --> 00:21:59,655
I
444
00:21:59,655 --> 00:22:02,264
think, you know, I don't think it
was anything I was really aware of.
445
00:22:02,264 --> 00:22:06,675
So Anne Michaels, who's one of my favorite
authors, said, you know, one book washes
446
00:22:06,675 --> 00:22:10,095
up on the shore of the next, and I
think I can see the sort of evolution.
447
00:22:10,095 --> 00:22:13,905
I've written 14 books so I can
see, you know, the influences
448
00:22:13,905 --> 00:22:14,504
of one over the other.
449
00:22:14,504 --> 00:22:16,695
And I've always been a poet
at heart since grade three.
450
00:22:16,875 --> 00:22:18,254
Yeah, it's more.
451
00:22:18,505 --> 00:22:23,095
I guess the fascination with history
comes from the fact that I, growing
452
00:22:23,095 --> 00:22:28,015
up, I didn't have any artifacts, any,
anything from my mother's family.
453
00:22:28,695 --> 00:22:33,015
So I remember going to a junk shop and
buying myself an old marker Z watch
454
00:22:33,015 --> 00:22:36,315
and wearing it around and saying,
oh, this is my grandmother's watch.
455
00:22:36,375 --> 00:22:36,975
Well, it wasn't.
456
00:22:36,975 --> 00:22:40,365
I lied, but it was more that,
you know, I didn't have any
457
00:22:40,365 --> 00:22:42,195
heirlooms or any, anything.
458
00:22:42,195 --> 00:22:42,255
Yeah.
459
00:22:42,375 --> 00:22:43,425
Not even a thimble.
460
00:22:43,845 --> 00:22:46,065
I didn't have photos of
what they looked like.
461
00:22:46,395 --> 00:22:50,175
And also then, because my mother
died when I was young, I know
462
00:22:50,175 --> 00:22:53,715
she had spoken to me about her
experiences and you know, I listened
463
00:22:53,715 --> 00:22:56,385
with half an ear and when she died.
464
00:22:56,790 --> 00:22:59,280
I thought, well, she's had
such an incredible life.
465
00:22:59,370 --> 00:23:01,200
I want to write her story.
466
00:23:01,890 --> 00:23:05,220
And so I took off, you know, a
week off uni and filled up the
467
00:23:05,220 --> 00:23:08,040
AirPod and got exercise books and
pens and thought I'm gonna start
468
00:23:08,040 --> 00:23:09,330
writing the book about my mother.
469
00:23:10,170 --> 00:23:11,580
And got three pages out.
470
00:23:11,580 --> 00:23:14,610
And I hadn't been listening, you
know, I was an Aussie chick and
471
00:23:14,610 --> 00:23:16,350
I wanted to be cool and mm-hmm.
472
00:23:16,535 --> 00:23:19,170
Into boys and didn't care about that.
473
00:23:19,574 --> 00:23:23,715
You know, my mother's history, so that
was really quite depressing for me.
474
00:23:23,715 --> 00:23:28,635
And I think I circled the next sort of
10 to almost 20 years of trying to write
475
00:23:28,635 --> 00:23:32,415
the waiting Room, which is my first
novel because, you know, my mother's
476
00:23:32,415 --> 00:23:35,175
story took up three pages on the page.
477
00:23:35,324 --> 00:23:36,314
That's all I knew.
478
00:23:36,584 --> 00:23:37,844
And there was no one to ask.
479
00:23:38,265 --> 00:23:40,935
Mm. You know, I've subsequently
pieced some stuff together.
480
00:23:40,935 --> 00:23:44,600
I married a genealogist and he's
found that's one way to do it.
481
00:23:46,545 --> 00:23:48,135
That's like cheating
on the test, isn't it?
482
00:23:48,310 --> 00:23:48,840
It's a bit,
483
00:23:50,895 --> 00:23:56,115
but even so, you know, he's found two
third cousins that we didn't know existed.
484
00:23:56,115 --> 00:23:56,175
Yeah.
485
00:23:56,475 --> 00:23:59,655
So what I had to do is what
if this was my mother's story?
486
00:23:59,655 --> 00:24:04,425
And so I took snippets of what I did
know and woves a story around that.
487
00:24:04,425 --> 00:24:06,075
So I know what's real in the book.
488
00:24:06,840 --> 00:24:09,810
But I've had to, what if this
had happened to my mother,
489
00:24:09,810 --> 00:24:10,830
and what if she'd been there?
490
00:24:10,830 --> 00:24:15,090
And so in order to do that, I had to then
literally turn around and face my demons.
491
00:24:15,090 --> 00:24:19,949
So I had to start reading about the
Holocaust and the war, and the atrocities
492
00:24:19,949 --> 00:24:25,770
committed, and the book was set in
Haifa at the time of the Interfa.
493
00:24:25,770 --> 00:24:29,879
So I had to then turn
around and look at that.
494
00:24:30,270 --> 00:24:34,080
Fraught history, which we are seeing,
you know, hideous results of now.
495
00:24:34,170 --> 00:24:37,620
And that's where that kind
of weaving all that together.
496
00:24:38,160 --> 00:24:38,340
Yeah.
497
00:24:38,340 --> 00:24:41,640
And in order to write something
that's based in history, you
498
00:24:41,640 --> 00:24:43,530
really need to know a lot.
499
00:24:43,530 --> 00:24:46,920
So I had to know what were they eating
and what did the streets smell like?
500
00:24:46,920 --> 00:24:48,330
And so I just.
501
00:24:48,689 --> 00:24:50,790
Yeah, a lot of it was experiential.
502
00:24:50,790 --> 00:24:54,210
I'd go to the places or I'd read
a lot or I'd interview people.
503
00:24:54,600 --> 00:24:58,290
But I think when you're writing
fiction, you don't, I mean, place is
504
00:24:58,290 --> 00:25:02,189
a character in fiction, but I think
you really need to make it incidental
505
00:25:02,189 --> 00:25:06,165
so that the reader doesn't really
even, I. It's not like an info dump.
506
00:25:06,794 --> 00:25:09,165
Mm. You have to have that as part
of, you know, secondary to your
507
00:25:09,165 --> 00:25:11,114
characters and I really enjoy that.
508
00:25:11,114 --> 00:25:17,625
So then, you know, in that book I'd
looked at the victims of War in the
509
00:25:17,625 --> 00:25:19,695
hollow Bones, the ones you've just read.
510
00:25:19,695 --> 00:25:21,584
Mm. Um, which was my second novel.
511
00:25:21,945 --> 00:25:24,290
I then turned around and
thought, well, hang on a minute.
512
00:25:24,614 --> 00:25:28,905
The main people that have been
involved in most atrocities in the
513
00:25:28,905 --> 00:25:33,344
world, you know, organized atrocities,
have been scientists and doctors.
514
00:25:34,065 --> 00:25:37,665
So if I had been there at the time,
you know, if I'd been a German
515
00:25:37,665 --> 00:25:39,135
doctor, what would I have done?
516
00:25:39,764 --> 00:25:42,045
And I think I had to
confront my own morality.
517
00:25:42,045 --> 00:25:45,675
And instead of sort of just simplifying
it, saying, oh, they were just all evil.
518
00:25:45,855 --> 00:25:47,865
They weren't, they were
ordinary people like you and me.
519
00:25:47,955 --> 00:25:53,865
And so I came across this character
who was a scientist, a young German
520
00:25:53,865 --> 00:25:58,995
scientist who is a zoologist, a specialist
in Tibetan birds called Ern Schafer.
521
00:25:58,995 --> 00:26:02,325
So he's a real character and I researched.
522
00:26:02,360 --> 00:26:06,050
As much as I could about him,
because he got drawn into the third
523
00:26:06,050 --> 00:26:08,479
RA Himmler's view of the world.
524
00:26:08,479 --> 00:26:12,110
They changed the whole scientific
approach of the world and the science
525
00:26:12,110 --> 00:26:15,290
was, which is World Ice theory.
526
00:26:16,129 --> 00:26:22,280
Mm. Meaning that everything revolves
around the earth and the moon is an
527
00:26:22,280 --> 00:26:26,510
icy moon, and it crashed into the earth
thousands of years ago and released
528
00:26:26,600 --> 00:26:29,750
the origins of the Ian race from.
529
00:26:30,165 --> 00:26:34,275
And who bred with the, it was all
mad, but it was a scientific platform.
530
00:26:34,665 --> 00:26:39,225
And this guy, my main character, embraced
it in order to further his career.
531
00:26:39,375 --> 00:26:40,935
So he said to him like, yeah, yeah, sure.
532
00:26:40,935 --> 00:26:45,555
I'll go to Tibet and I'll look for
these, you know, traces of this theory.
533
00:26:45,645 --> 00:26:50,445
So it made me think, God, what
would I have done in that situation?
534
00:26:50,625 --> 00:26:57,285
And it was these tiny, small steps, you
know, slippery steps of amoral choices.
535
00:26:57,690 --> 00:27:00,330
Mm. That led to this evil.
536
00:27:00,570 --> 00:27:04,260
I love the way in which you
tell it because you're right.
537
00:27:04,290 --> 00:27:09,480
It's a very human story, and it's
not like they were evil and you
538
00:27:09,480 --> 00:27:11,190
know, cloaked or anything like that.
539
00:27:11,400 --> 00:27:17,850
There is a series of choices that lead to
the outcome that is now history, you know?
540
00:27:18,760 --> 00:27:24,580
It was really insightful and I think that
one story that I'd love for you to perhaps
541
00:27:24,580 --> 00:27:28,300
tell is how you incorporated the Panda.
542
00:27:28,330 --> 00:27:33,760
And this is still a taxidermied panda
that you've seen, and this is a relic
543
00:27:33,820 --> 00:27:35,770
of that time and that expedition
544
00:27:35,950 --> 00:27:39,760
readers are either team Panda or team.
545
00:27:39,820 --> 00:27:41,140
What the hell was she doing?
546
00:27:42,070 --> 00:27:42,520
So.
547
00:27:45,000 --> 00:27:50,370
Yeah, as Schaffer was a zoologist in
the thirties, German zoologist and
548
00:27:50,370 --> 00:27:54,540
zoology in the time, and to a certain
extent still now you need to shoot.
549
00:27:54,945 --> 00:27:55,815
What you're studying.
550
00:27:56,175 --> 00:28:01,335
So he worked in America too at the
Academy of Sciences in Washington,
551
00:28:01,575 --> 00:28:02,655
which was actually Philadelphia.
552
00:28:03,315 --> 00:28:08,085
And they were doing collaborative things
where he was providing them with specimens
553
00:28:08,565 --> 00:28:12,165
and he was one of the first people, I
think the first person was Roosevelt.
554
00:28:12,165 --> 00:28:15,945
The second person was in Schafer
to shoot a panda in the wild.
555
00:28:16,409 --> 00:28:21,629
And so he had that baby panda
cub shipped over to the States.
556
00:28:21,810 --> 00:28:24,570
And when I was researching him, I'd
come up with, you know, I'd found his
557
00:28:24,570 --> 00:28:28,560
field journals and you know, I was
having them translated and all sorts
558
00:28:28,560 --> 00:28:30,000
of things, his scientific drawings.
559
00:28:30,000 --> 00:28:34,710
And I actually on book tour for
my previous book at the States, I
560
00:28:34,740 --> 00:28:38,399
went to the museum and I asked the
librarian, have you got any of his
561
00:28:38,399 --> 00:28:40,260
archives and it shape his archives?
562
00:28:40,260 --> 00:28:40,830
And she goes, oh yeah.
563
00:28:40,830 --> 00:28:41,940
And she brought out like, you know.
564
00:28:42,175 --> 00:28:45,264
10 boxes and in it there
was a little drawing of a
565
00:28:45,264 --> 00:28:47,395
panda's tail, like a skeleton.
566
00:28:47,455 --> 00:28:49,584
And I said, oh, I've
heard he shot a panda.
567
00:28:49,584 --> 00:28:50,155
You don't know.
568
00:28:50,564 --> 00:28:52,784
You know where these bones might be.
569
00:28:52,814 --> 00:28:55,425
And she just picked up, she goes,
yeah, just a sec. She picked up
570
00:28:55,425 --> 00:29:00,495
the phone, spoke to Dave down in
the dungeon and said, just go down.
571
00:29:00,495 --> 00:29:01,274
He'll help you.
572
00:29:01,485 --> 00:29:05,354
And I went down and I met the
curator there, and he had a
573
00:29:05,354 --> 00:29:07,604
collection of all the pandas bones.
574
00:29:07,814 --> 00:29:08,264
Wow.
575
00:29:08,294 --> 00:29:10,725
You know, he just, that was
just, there was a th scene there.
576
00:29:10,729 --> 00:29:12,794
And, and then he pulled out
these drawers and there was.
577
00:29:13,505 --> 00:29:16,025
Schafer's writing with the
panda that he'd shot the bones.
578
00:29:16,145 --> 00:29:19,025
And I said, oh my God, you don't
know where the hide is, do you,
579
00:29:19,520 --> 00:29:20,825
you know, was that preserved?
580
00:29:21,245 --> 00:29:24,185
And he goes, yeah, go back
up and ask the um, librarian.
581
00:29:24,185 --> 00:29:26,885
I'll give her a call and she'll
direct you back up there.
582
00:29:26,885 --> 00:29:28,955
And you know, she got
off the phone from him.
583
00:29:29,285 --> 00:29:31,325
And I, I also, where do I find the hide?
584
00:29:31,475 --> 00:29:33,155
I dunno why I wanted to find the hide.
585
00:29:33,545 --> 00:29:35,165
And she goes, well just see the exit sign.
586
00:29:35,165 --> 00:29:37,895
Just cross over the corridor there
and turn left and you'll see it.
587
00:29:38,060 --> 00:29:38,620
I thought, okay.
588
00:29:38,920 --> 00:29:39,695
And I crossed.
589
00:29:40,030 --> 00:29:44,410
Corridor from the library and there
was a diorama of two adult pandas
590
00:29:44,650 --> 00:29:46,540
and a baby panda under glass.
591
00:29:46,900 --> 00:29:47,470
Huge.
592
00:29:47,740 --> 00:29:49,480
And that was my baby panda.
593
00:29:49,480 --> 00:29:51,520
And I, everyone's gonna think I'm mad now.
594
00:29:51,580 --> 00:29:52,150
Well, you know it.
595
00:29:53,110 --> 00:29:55,000
I just, I sat down.
596
00:29:55,545 --> 00:29:56,505
And just wept.
597
00:29:56,655 --> 00:29:58,245
I was a blathering ness.
598
00:29:58,245 --> 00:30:02,475
Here was this little baby panda
that had been shot by er Schaeffer.
599
00:30:02,625 --> 00:30:05,895
I'd been reading about this so
much and here it was, you know, in
600
00:30:05,895 --> 00:30:10,305
front of me and I don't know why,
but it just got under my skin.
601
00:30:10,725 --> 00:30:11,745
Bad choice of words.
602
00:30:13,005 --> 00:30:17,295
That little panda, when I came to write
the book, demanded to have a voice.
603
00:30:17,895 --> 00:30:17,955
Yeah.
604
00:30:17,955 --> 00:30:21,945
And the book is interspersed
with the voice of a stuffed.
605
00:30:22,305 --> 00:30:28,635
Tibetan baby panda, and that's the
voice of the wild and of nature.
606
00:30:29,054 --> 00:30:31,365
Yeah, and I think it
conveys it really well.
607
00:30:31,365 --> 00:30:35,534
And look, I totally understand
where that emotion is coming from.
608
00:30:35,595 --> 00:30:40,004
Having had my time when I was working
at the Royal Botanic Gardens and having
609
00:30:40,004 --> 00:30:45,314
the privilege of actually going into
the collections area there and seeing,
610
00:30:45,825 --> 00:30:50,564
you know, specimens that were collected
at the time, a species was named by.
611
00:30:50,740 --> 00:30:55,060
That botanist and seeing species
that, you know, were, were
612
00:30:55,060 --> 00:30:56,949
taken by Sir Joseph Banks.
613
00:30:57,010 --> 00:31:02,560
And those sorts of things are really
amazing because it is a direct connection
614
00:31:02,590 --> 00:31:04,899
to history and that's what you are seeing.
615
00:31:04,899 --> 00:31:08,290
And it's a connection that normally,
and not a lot of people have
616
00:31:08,290 --> 00:31:10,209
that access because it's behind.
617
00:31:10,209 --> 00:31:13,449
Like you said, you've gotta ring
Dave to go downstairs to, you know.
618
00:31:14,290 --> 00:31:16,629
And it's in a draw that
no one gets to see.
619
00:31:16,629 --> 00:31:20,740
So it's a privilege to be
able to see that history.
620
00:31:20,770 --> 00:31:25,780
But I think for me, when I've
had that opportunity, it also is
621
00:31:25,780 --> 00:31:29,860
a direct connection to what that
history and that point in time means.
622
00:31:30,250 --> 00:31:33,790
And I think I couldn't have written
that book unless I had done.
623
00:31:34,030 --> 00:31:37,240
We're all gonna die because I
would've been so creeped out.
624
00:31:37,240 --> 00:31:40,120
I would've listened to me on this podcast
thinking, what a weirdo, you know?
625
00:31:40,990 --> 00:31:45,219
I don't think I would have the wherewithal
to be confronting any of that stuff.
626
00:31:45,219 --> 00:31:46,870
It'd be too gruesome and too horrid.
627
00:31:46,870 --> 00:31:48,070
I still can't watch horror movies.
628
00:31:48,129 --> 00:31:53,320
So for me, touching history is very much
tied in with what we were saying with.
629
00:31:53,970 --> 00:31:54,990
Touching death.
630
00:31:55,050 --> 00:31:56,550
It's what's gone before us.
631
00:31:56,550 --> 00:31:59,940
And I think if you lose that connection
and you're just living totally in the
632
00:31:59,940 --> 00:32:04,260
present, I'm not very good at mindfulness,
then I think you've lost a lot of
633
00:32:04,320 --> 00:32:08,670
what came before and that collective
wisdom and knowledge that we all carry.
634
00:32:08,760 --> 00:32:15,450
Yeah, and also it contextualizes and puts
perspective on where we sit in that story.
635
00:32:15,450 --> 00:32:17,400
It connects us to humanity, doesn't it?
636
00:32:17,730 --> 00:32:20,310
Yeah, and we sort of live as if
you know, we're sort of on this
637
00:32:20,310 --> 00:32:25,080
island that's not connected to
anything, the future or the past.
638
00:32:25,350 --> 00:32:28,110
We're just living in the
moment and you know, living.
639
00:32:28,680 --> 00:32:30,210
A good life or whatever we do.
640
00:32:30,750 --> 00:32:30,840
Yeah.
641
00:32:30,840 --> 00:32:34,255
And I think it's just, it's so
narrow and it, as I said, you know,
642
00:32:34,260 --> 00:32:35,940
I call it tunnel vision of the soul.
643
00:32:35,940 --> 00:32:38,070
I think you need, it's not nuanced.
644
00:32:38,070 --> 00:32:41,340
You need to look outside and you need
to look to the sides and backwards
645
00:32:41,340 --> 00:32:45,390
and in front of you, whether that's,
you know, history or you know
646
00:32:45,900 --> 00:32:47,460
what's happening with the planet or.
647
00:32:48,060 --> 00:32:48,930
In all ways.
648
00:32:49,110 --> 00:32:53,490
So for me, in we're all
gonna die, I really explored
649
00:32:53,760 --> 00:32:55,260
anything that came up for me.
650
00:32:55,260 --> 00:32:57,600
Like, you know, I went and
spoke to Daredevils, like what
651
00:32:57,600 --> 00:33:01,260
is it that makes people flirt
with death and be fine with it?
652
00:33:01,650 --> 00:33:06,000
I went and spoke to kids
who were in oncology wards.
653
00:33:06,345 --> 00:33:09,945
Or with rare diseases and
what their attitudes were.
654
00:33:10,215 --> 00:33:12,945
I spoke to people who'd
had near death experiences.
655
00:33:12,945 --> 00:33:18,105
I just, you know, funeral directors,
death doers, people who suffered from
656
00:33:18,705 --> 00:33:21,345
horrific health, anxiety and death.
657
00:33:21,345 --> 00:33:23,895
Anxiety, far worse than what I had.
658
00:33:24,075 --> 00:33:25,335
And for me, I think.
659
00:33:25,860 --> 00:33:30,060
Just exposing myself to all
of that helped ground me in
660
00:33:30,060 --> 00:33:30,540
life.
661
00:33:30,540 --> 00:33:35,520
And I'd like to just raise that comment
that when you were talking about, when
662
00:33:35,520 --> 00:33:40,500
you went to write down your mother's story
and you only got to three pages, and so
663
00:33:40,560 --> 00:33:42,629
what age were you at that sort of time?
664
00:33:43,199 --> 00:33:44,250
21. 21? Yeah.
665
00:33:44,250 --> 00:33:49,110
So I think if anyone had to write
the story, perhaps of their family
666
00:33:49,110 --> 00:33:51,689
or their parents at the age of 21.
667
00:33:52,050 --> 00:33:56,340
I don't think anyone would get
past really three pages because
668
00:33:56,610 --> 00:34:02,670
at what point in time do you feel
that you wanted to look forward?
669
00:34:02,670 --> 00:34:05,370
Like how many years was it
before you actually started
670
00:34:05,430 --> 00:34:06,629
looking at the waiting room?
671
00:34:06,870 --> 00:34:10,320
Gosh, again, it was a
sort of an evolution.
672
00:34:10,739 --> 00:34:13,889
Mm. I think probably
kind of towards my late.
673
00:34:14,745 --> 00:34:18,765
Twenties and I'd been living with
a fellow who got cancer and you
674
00:34:18,765 --> 00:34:22,035
know, he died quite young, I think.
675
00:34:22,095 --> 00:34:26,265
And when I came back that kind of line
in the sand with that child who I had
676
00:34:26,265 --> 00:34:30,285
to give the lump puncture to, I think
that's when I started looking back
677
00:34:30,315 --> 00:34:32,145
and that's when the poetry came out.
678
00:34:32,145 --> 00:34:36,139
I. I think the rawness of those, of
that language spilled out onto the page.
679
00:34:36,139 --> 00:34:39,739
It was my heart just spilling
out and I was grieving.
680
00:34:39,889 --> 00:34:42,290
I think I'd put grieving
on hold for a long time.
681
00:34:42,440 --> 00:34:47,000
And do you think that only comes with more
lived experience, that you can actually
682
00:34:47,179 --> 00:34:51,319
perhaps appreciate your place in life
and how it connects with other people?
683
00:34:51,649 --> 00:34:51,799
I
684
00:34:51,799 --> 00:34:52,009
think
685
00:34:52,009 --> 00:34:54,560
there's an aspect to that and yeah.
686
00:34:54,560 --> 00:34:57,379
You know who wants to be thinking
about it when you're young?
687
00:34:57,379 --> 00:34:57,440
Yeah.
688
00:34:57,890 --> 00:35:02,400
But I. Catherine, whether
it's also societal.
689
00:35:03,390 --> 00:35:06,300
And you know, that we
sense some mortality.
690
00:35:06,540 --> 00:35:08,760
You can look at, you know,
I'm very big into language.
691
00:35:08,760 --> 00:35:13,050
You look at language and you
know, I still can't abide it.
692
00:35:13,050 --> 00:35:15,810
When people say, oh, she passed what?
693
00:35:15,810 --> 00:35:18,210
She passed when, what did
she, where did she pass?
694
00:35:18,810 --> 00:35:21,510
You know, he's pushing up daisies.
695
00:35:21,540 --> 00:35:23,310
She's no long, we've lost her.
696
00:35:23,370 --> 00:35:24,150
Where did we lose her?
697
00:35:24,510 --> 00:35:24,930
Where'd she go?
698
00:35:26,255 --> 00:35:28,350
Yes, she died.
699
00:35:28,649 --> 00:35:29,520
That is the word.
700
00:35:29,520 --> 00:35:31,920
She died and we can't even use it.
701
00:35:32,009 --> 00:35:35,430
And so I wonder whether we actually,
and I know a lot's been written about
702
00:35:35,430 --> 00:35:38,609
this, but whether we sort of steal
that permission from our children to
703
00:35:38,609 --> 00:35:40,440
actually think and talk about death.
704
00:35:40,440 --> 00:35:45,960
You know, you look at a little kid and
they, you know, they'll see a bug dying
705
00:35:45,960 --> 00:35:47,730
or whatever, they don't get freaked.
706
00:35:47,759 --> 00:35:48,720
It's just natural.
707
00:35:48,720 --> 00:35:52,109
I mean, they'll be sad if their dog dies
of that, but it's just, it hasn't got all
708
00:35:52,109 --> 00:35:54,720
those layers on it that we add as adults.
709
00:35:55,410 --> 00:35:56,460
Mm. So I wonder whether.
710
00:35:56,765 --> 00:36:01,475
Society was more open to
discussing death in a healthy way.
711
00:36:01,535 --> 00:36:04,835
Whether we would have to put all
that on hold or it would just
712
00:36:04,835 --> 00:36:06,545
be a sort of a natural process.
713
00:36:06,545 --> 00:36:09,515
You know, children aren't brought
to funerals a lot of the time,
714
00:36:09,665 --> 00:36:12,694
but you look back not that
long ago, and they were there.
715
00:36:13,279 --> 00:36:13,640
Yep.
716
00:36:13,880 --> 00:36:17,330
Well, when you think the nursery
rhyme, you know, ringer Ringer, Rosie
717
00:36:17,330 --> 00:36:21,290
was for children to understand, you
know, the, the black death and a
718
00:36:21,290 --> 00:36:23,150
way of, you know, dealing with that.
719
00:36:23,360 --> 00:36:23,420
Yeah.
720
00:36:23,420 --> 00:36:27,170
So children have always been around death.
721
00:36:27,765 --> 00:36:33,135
I had the privilege of speaking with
Lionheart Camp for kids and you know,
722
00:36:33,135 --> 00:36:37,785
they've done some great work with
Lauren Breen and her understanding
723
00:36:37,845 --> 00:36:40,275
of grief and how children process it.
724
00:36:40,335 --> 00:36:45,375
And it seems to be that it, you know,
they're pretty upfront and they know
725
00:36:45,765 --> 00:36:49,095
a lot, you know, a lot more and have
less filters than what the adults do.
726
00:36:49,305 --> 00:36:50,115
Absolutely.
727
00:36:50,115 --> 00:36:51,465
And I see it over and over again.
728
00:36:51,465 --> 00:36:52,365
I actually wrote.
729
00:36:52,485 --> 00:36:56,895
One of the books I wrote soon after
was with the Damani family who'd had
730
00:36:56,895 --> 00:37:01,215
a little child called Massimo, who
was born with a rare genetic disorder.
731
00:37:01,395 --> 00:37:05,325
Long story, I won't go into it, but
having the privilege, I wrote it with
732
00:37:05,325 --> 00:37:09,765
them and having the privilege to be part
of that family and see what, how that
733
00:37:09,765 --> 00:37:12,690
family dealt with this little child's.
734
00:37:13,620 --> 00:37:16,140
Very debilitating, a
very progressive illness.
735
00:37:16,140 --> 00:37:18,390
He died when he was 10, but
they were extraordinary.
736
00:37:18,390 --> 00:37:24,690
They, they were the ones behind getting
genomes map, DNA, maps for rare diseases
737
00:37:24,690 --> 00:37:29,250
for children that's now being used
in every neonatal unit in the world.
738
00:37:29,250 --> 00:37:33,480
In those days, they didn't know
what exactly the illness was,
739
00:37:33,480 --> 00:37:37,110
and Steven was an it geek and
he just, he said, it's numbers.
740
00:37:37,110 --> 00:37:37,920
It's a numbers game.
741
00:37:37,920 --> 00:37:39,690
Lee, you gotta get my DNA, my.
742
00:37:40,330 --> 00:37:44,109
Wife's DNA and just cross out,
you know, what doesn't match.
743
00:37:44,290 --> 00:37:48,520
And in those days, you know, it was to
the moon and back a a billion times.
744
00:37:48,520 --> 00:37:49,299
But he did it.
745
00:37:49,450 --> 00:37:52,540
And he worked with a
group of fantastic people.
746
00:37:52,779 --> 00:37:56,410
But just to see the way, you know,
Massimo's brothers dealt with it.
747
00:37:56,500 --> 00:37:59,710
It was just humbling is the word.
748
00:38:00,190 --> 00:38:01,029
I was really honored.
749
00:38:01,569 --> 00:38:06,040
And what did you see while you
were working with the family that.
750
00:38:06,825 --> 00:38:11,985
You think would perhaps be a good example
for other people who have children or
751
00:38:11,985 --> 00:38:13,425
are going through something like this?
752
00:38:13,425 --> 00:38:15,255
What can we learn from them did you think?
753
00:38:16,635 --> 00:38:21,765
Honesty, I think, you know, obviously
it has to be couched in the right terms,
754
00:38:21,765 --> 00:38:27,105
but I think to undo what I did when I was
a young doctor and Joshua turned around
755
00:38:27,105 --> 00:38:28,815
to me and said, is this going to hurt?
756
00:38:28,995 --> 00:38:31,185
And I said no.
757
00:38:31,185 --> 00:38:32,445
And he said, you are lying.
758
00:38:32,984 --> 00:38:36,645
Wisdom beyond his years
and me behind my mask.
759
00:38:36,855 --> 00:38:38,504
You know, just my eyes looking at him.
760
00:38:38,714 --> 00:38:42,045
And I think we need to have honest
conversations with children at
761
00:38:42,165 --> 00:38:46,095
obviously an age appropriate
level, but they cope with it better
762
00:38:46,095 --> 00:38:47,535
than we do a lot of the time.
763
00:38:47,535 --> 00:38:48,675
I. They really do.
764
00:38:49,455 --> 00:38:55,395
And tell me, when we are talking about
language and the power of words, what
765
00:38:55,395 --> 00:38:59,955
is the difference for you between
expressing your emotions through writing
766
00:38:59,955 --> 00:39:03,045
the fiction and then moving into poetry?
767
00:39:03,285 --> 00:39:05,325
How does that feel for you to then be.
768
00:39:05,595 --> 00:39:07,935
The difference between
the two expressions?
769
00:39:08,175 --> 00:39:09,045
It's an interesting question.
770
00:39:09,045 --> 00:39:10,875
I think it comes from the same wellspring.
771
00:39:10,875 --> 00:39:14,685
I don't set out to say, oh, I'm gonna
write a novel, or, oh, here's a poem.
772
00:39:14,925 --> 00:39:19,065
I think the form I long hand write,
except if I'm writing articles
773
00:39:19,065 --> 00:39:21,975
for newspapers or something, I'll
type those up for some reason.
774
00:39:22,425 --> 00:39:28,335
But I long forms and, and that's my way
I guess, of trusting the process of just
775
00:39:28,335 --> 00:39:33,765
giving into it, of sort of letting my
inner chicken know what it wants to say.
776
00:39:34,110 --> 00:39:36,930
And so I'm not censoring
myself, I'm riding along.
777
00:39:36,930 --> 00:39:37,770
It is trash.
778
00:39:37,800 --> 00:39:39,810
I mean, my first drafts, you
don't wanna look at them.
779
00:39:39,810 --> 00:39:41,880
They're horrible, but they're honest.
780
00:39:42,420 --> 00:39:45,270
And half the time I look back
and I go, who wrote that?
781
00:39:45,330 --> 00:39:46,380
Like, where'd that come from?
782
00:39:46,560 --> 00:39:50,010
I think that's the beauty of creativity
is that you're giving yourself
783
00:39:50,010 --> 00:39:52,920
over to the process and you don't
know there's an inner self that can
784
00:39:52,920 --> 00:39:54,390
express itself, that you're not just.
785
00:39:54,900 --> 00:39:55,680
Shutting up.
786
00:39:55,800 --> 00:40:00,570
Well, that's interesting that you say
that you type your articles when you
787
00:40:00,570 --> 00:40:05,070
are sort of, I suppose, being paid,
and then when you are expressing
788
00:40:05,070 --> 00:40:07,050
yourself, you physically write it.
789
00:40:07,260 --> 00:40:07,710
Mm-hmm.
790
00:40:07,800 --> 00:40:10,800
So it's very much a
physical process for you.
791
00:40:10,860 --> 00:40:11,070
Yeah.
792
00:40:11,070 --> 00:40:13,920
I think it, it stems back to when I was
a little kid, you know, I've started
793
00:40:13,920 --> 00:40:15,745
writing longhand and I still do.
794
00:40:16,205 --> 00:40:17,130
And did you do that with.
795
00:40:17,540 --> 00:40:20,840
All of your novels and your
poetry, you start off longhand.
796
00:40:20,900 --> 00:40:21,350
Yeah.
797
00:40:21,590 --> 00:40:22,250
Wow.
798
00:40:22,400 --> 00:40:23,180
Absolutely.
799
00:40:23,360 --> 00:40:27,260
I've got my dear friend, Meg Cane
and her father Tom, I found out
800
00:40:27,260 --> 00:40:29,660
recently dictate their books.
801
00:40:32,030 --> 00:40:34,340
What did, did, were you offended?
802
00:40:34,340 --> 00:40:35,325
Did you say you're cheating?
803
00:40:36,105 --> 00:40:37,325
No, I just thought it was amazing.
804
00:40:37,525 --> 00:40:38,125
I can't do it.
805
00:40:38,230 --> 00:40:41,170
But I mean, everyone's got their
own crazy process, I guess.
806
00:40:41,890 --> 00:40:42,820
Yeah, yeah.
807
00:40:42,820 --> 00:40:43,090
No.
808
00:40:43,210 --> 00:40:47,380
Well, and what I love, you've
also got a style with the way in
809
00:40:47,380 --> 00:40:49,090
which you present your poetry.
810
00:40:49,450 --> 00:40:53,320
Could you perhaps talk us through
that with just even the way in
811
00:40:53,320 --> 00:40:58,720
which you name and structure the
poetry books that you've written?
812
00:40:58,720 --> 00:41:00,640
Like I just find that fascinating.
813
00:41:01,570 --> 00:41:07,510
Oh, look, I love junk and I'm a, I'm an
absolute op shop junkie, and I love books.
814
00:41:08,330 --> 00:41:12,620
And I think my most recent
poetry book that came out last
815
00:41:12,620 --> 00:41:14,450
year was Disorders of the Blood.
816
00:41:15,140 --> 00:41:21,440
And I came across ages ago an old
hematology textbook, blood specialty,
817
00:41:21,800 --> 00:41:23,540
and it was called Disorders of the Blood.
818
00:41:23,540 --> 00:41:28,520
It was written in 1939, and I
structured the sections of the book
819
00:41:28,520 --> 00:41:32,840
according to the headings, like,
you know, coagulation or hemorrhage.
820
00:41:32,870 --> 00:41:37,640
And somehow the poems organically kind
of fitted into that trope or that.
821
00:41:37,655 --> 00:41:39,695
Idea behind it.
822
00:41:39,815 --> 00:41:42,545
My first poetry book was called
Stitching Things Together, which
823
00:41:42,545 --> 00:41:47,885
was also an old book about,
you know, tailoring for ladies.
824
00:41:48,665 --> 00:41:51,065
My father was a tailor and I can't sew.
825
00:41:51,645 --> 00:41:53,265
I can't even sew on a button.
826
00:41:53,415 --> 00:41:55,125
Catherine, I'm, it's
such an embarrassment.
827
00:41:55,365 --> 00:41:56,625
I cheated in sewing class.
828
00:41:56,625 --> 00:41:57,495
He just did it for me.
829
00:41:58,065 --> 00:41:59,115
Overlock my skirts, you know.
830
00:41:59,385 --> 00:41:59,775
Um,
831
00:42:00,375 --> 00:42:04,605
I am still so atrocious that I, my
85-year-old mother, when she comes and
832
00:42:04,605 --> 00:42:07,785
stays with us, I'm like, mom, can you
put this button back on for me, please?
833
00:42:07,815 --> 00:42:10,680
Oh, does she wanna swing past my place's?
834
00:42:10,790 --> 00:42:11,595
Gone collect
835
00:42:11,595 --> 00:42:11,715
it?
836
00:42:11,715 --> 00:42:11,925
When
837
00:42:11,925 --> 00:42:11,985
she,
838
00:42:14,600 --> 00:42:17,625
I actually, on that note, I
have to show you something that.
839
00:42:17,939 --> 00:42:18,540
It's quite interesting.
840
00:42:18,540 --> 00:42:21,960
We're talking about trinkets and
things that we hold onto in junk.
841
00:42:22,529 --> 00:42:26,370
I mean, there's my
dad's little sewing box.
842
00:42:26,970 --> 00:42:27,000
Oh,
843
00:42:27,000 --> 00:42:27,899
that is gorgeous.
844
00:42:28,049 --> 00:42:28,710
And then I've got,
845
00:42:29,069 --> 00:42:30,779
I've just got next Leah's showing this.
846
00:42:30,779 --> 00:42:31,140
Beautiful.
847
00:42:31,140 --> 00:42:31,710
Is it wooden?
848
00:42:32,009 --> 00:42:32,904
It's Baker Light, yeah.
849
00:42:33,095 --> 00:42:33,384
Yeah.
850
00:42:33,625 --> 00:42:38,549
A, a gorgeous round baker light
container with sewing trinkets in there.
851
00:42:38,640 --> 00:42:40,649
Hang on a sec. I've got,
uh, can I do show and tell?
852
00:42:41,580 --> 00:42:44,009
You can do, show and tell and
I'll do the running commentary.
853
00:42:44,220 --> 00:42:44,790
How's that?
854
00:42:45,209 --> 00:42:45,899
And I've got
855
00:42:45,899 --> 00:42:47,669
dad's little thimble, hang on.
856
00:42:47,819 --> 00:42:48,930
Oh, how beautiful.
857
00:42:48,930 --> 00:42:51,899
His thimble also in a container
858
00:42:52,020 --> 00:42:54,689
with his little sewing box
from the sewing machine.
859
00:42:55,439 --> 00:42:55,470
Oh.
860
00:42:55,470 --> 00:42:56,759
Then this is the PS
861
00:42:57,180 --> 00:42:58,259
to resistance.
862
00:42:58,950 --> 00:43:00,024
This'll send you, I'll have to get
863
00:43:00,029 --> 00:43:02,759
you to take photos and, and we'll
share them on the show notes.
864
00:43:03,149 --> 00:43:04,200
Does anyone know what that is?
865
00:43:04,455 --> 00:43:05,924
I would say it's an eye glass.
866
00:43:05,984 --> 00:43:06,525
It is.
867
00:43:06,525 --> 00:43:07,665
It was my dad's eye glass.
868
00:43:07,665 --> 00:43:07,725
Yeah.
869
00:43:08,990 --> 00:43:10,089
Oh my goodness.
870
00:43:10,410 --> 00:43:11,415
I dunno what you did with it.
871
00:43:11,415 --> 00:43:12,525
You washed your eye out.
872
00:43:12,525 --> 00:43:12,890
I dunno.
873
00:43:13,250 --> 00:43:15,490
I think you'd have a bit of
Johnny Walker in it or something.
874
00:43:15,609 --> 00:43:15,970
I dunno.
875
00:43:15,970 --> 00:43:16,210
It's
876
00:43:16,210 --> 00:43:16,529
extreme.
877
00:43:16,665 --> 00:43:18,255
It looks like a shot glass, doesn't it?
878
00:43:18,255 --> 00:43:20,890
It's very thick glass.
879
00:43:21,315 --> 00:43:22,785
Like old style glass.
880
00:43:22,785 --> 00:43:22,935
Yes.
881
00:43:23,055 --> 00:43:23,174
It's
882
00:43:23,174 --> 00:43:23,984
beautiful.
883
00:43:24,194 --> 00:43:26,805
So you know that sort of walking
style, I feel like when I touch
884
00:43:26,805 --> 00:43:28,484
that I recreate my father.
885
00:43:28,484 --> 00:43:29,595
Does that sound a bit weird?
886
00:43:31,080 --> 00:43:34,620
You know, what do you think is
it about those things that we
887
00:43:34,740 --> 00:43:36,660
hold so near and dear to us?
888
00:43:36,779 --> 00:43:38,640
There's a beautiful saying by Aristotle.
889
00:43:38,640 --> 00:43:43,529
I can't remember what the Latin is,
it's called, there are tears and things,
890
00:43:43,740 --> 00:43:47,610
and I, I, I've always found objects
really interesting in that what do
891
00:43:47,610 --> 00:43:50,220
they hold and what do they embody?
892
00:43:50,430 --> 00:43:53,520
And so for me, when I
grew up without my family.
893
00:43:54,285 --> 00:43:54,915
Treasures.
894
00:43:54,915 --> 00:43:55,005
Mm-hmm.
895
00:43:55,815 --> 00:43:57,105
I had to create my own.
896
00:43:57,105 --> 00:44:01,365
And so now I have my parents things
and when I hold them and I smell them.
897
00:44:01,725 --> 00:44:04,455
It just brings back the history,
it brings back the memory
898
00:44:04,455 --> 00:44:05,595
and it brings back the dead.
899
00:44:05,625 --> 00:44:06,885
Does that sound bizarre?
900
00:44:07,215 --> 00:44:07,455
No.
901
00:44:07,755 --> 00:44:12,075
That's why we have Memento Maori and, and
it's been done for centuries, you know?
902
00:44:12,075 --> 00:44:12,135
Yeah.
903
00:44:12,495 --> 00:44:16,725
Because it is that connection
that is that way of keeping them
904
00:44:16,875 --> 00:44:20,115
and smells, you know, there are certain
smells that will remind me of my
905
00:44:20,115 --> 00:44:23,175
mother, or, you know, it's very potent.
906
00:44:23,205 --> 00:44:26,565
It's, it's really powerful and I
used to kind of get creeped out by
907
00:44:26,565 --> 00:44:29,775
it, but now it's actually soothing
and it makes me feel at home again.
908
00:44:30,005 --> 00:44:30,665
Yeah.
909
00:44:30,725 --> 00:44:33,845
And tell me with everyone that
you've spoken to and everything that
910
00:44:33,845 --> 00:44:38,450
you've experienced, what are the
key things that you have taken away?
911
00:44:39,345 --> 00:44:43,305
From what you've learned about death
through your writing and your poetry,
912
00:44:43,515 --> 00:44:48,045
it's really hard to not have it sound
cliche, Catherine, but I think that it
913
00:44:48,045 --> 00:44:51,285
is part of life if you think about it.
914
00:44:51,555 --> 00:44:53,895
Not in a morbid way, but in a natural way.
915
00:44:53,895 --> 00:44:57,735
It helps us frame what we wanna
do with our small time on this
916
00:44:57,735 --> 00:45:00,015
planet and what matters to us.
917
00:45:00,015 --> 00:45:01,815
I think it's a big my allowed to swear.
918
00:45:01,845 --> 00:45:03,105
Big bullshit cutting factor.
919
00:45:03,760 --> 00:45:05,530
Oh yeah, you just have
and you're allowed to.
920
00:45:05,530 --> 00:45:05,740
Thank you.
921
00:45:05,740 --> 00:45:06,280
It's okay.
922
00:45:06,310 --> 00:45:07,390
We're all adults here.
923
00:45:07,870 --> 00:45:11,560
I think when it's sort of you come
face to face with it, it distills
924
00:45:11,560 --> 00:45:13,210
the essence of what's important.
925
00:45:13,480 --> 00:45:18,850
You know, one thing I haven't mentioned,
my son was 17 and we come back on a long
926
00:45:18,850 --> 00:45:23,500
haul flight and he'd gotten very sick with
a gut illness and a couple of days later.
927
00:45:23,900 --> 00:45:26,900
I was in the shower and he went
to answer the door and he fell.
928
00:45:26,900 --> 00:45:30,530
He couldn't open the door and
he was paralyzed in three limbs.
929
00:45:30,830 --> 00:45:34,250
He had a very rare condition called
transverse myelitis where the, the
930
00:45:34,250 --> 00:45:38,690
lining of the nerves and the spinal
cord, the myelin, was just sheared off
931
00:45:38,690 --> 00:45:42,260
from this horrible infection that he'd
had, and it took him a year to recover.
932
00:45:42,260 --> 00:45:44,665
He had to learn to walk
again, and so there I was.
933
00:45:45,299 --> 00:45:49,830
You know, on the other side of the fence,
looking at, and I've written about this
934
00:45:49,830 --> 00:45:53,609
quite a bit, but looking at my colleagues
who are looking at the sort of, you know,
935
00:45:53,640 --> 00:45:57,810
moth eaten spine of my son and telling me,
you just be a mother, don't be a doctor.
936
00:45:58,020 --> 00:45:58,920
Now you're the mother.
937
00:45:59,580 --> 00:46:00,569
And I'm like, I'm both.
938
00:46:00,720 --> 00:46:04,980
That was a really galvanizing, you
know, when someone's so close to you and
939
00:46:04,980 --> 00:46:06,720
you don't know what's going to happen.
940
00:46:07,230 --> 00:46:11,970
That for me, again, was a big BS
cutting factor and made me rethink,
941
00:46:12,060 --> 00:46:13,860
you know, I don't wanna waste my life.
942
00:46:13,860 --> 00:46:17,400
I want to do things that
really matter to me personally.
943
00:46:17,910 --> 00:46:19,770
You know, he's fine now
and he, he's better.
944
00:46:19,770 --> 00:46:23,910
That was a long time ago, but it was a
pretty horrific experience to go through.
945
00:46:24,090 --> 00:46:28,350
Very leveling and being on the other
side of things, not the doctor.
946
00:46:28,725 --> 00:46:30,555
But you know the patient's mother.
947
00:46:31,425 --> 00:46:35,865
Yeah, I, I can never look at parents
of children who are ill again and
948
00:46:35,865 --> 00:46:38,265
not feel that very deep empathy.
949
00:46:38,565 --> 00:46:44,445
And what would you say to people
who perhaps were like you or are.
950
00:46:44,525 --> 00:46:50,615
Like you were, I should say, that
might have a fear of death and medical
951
00:46:50,615 --> 00:46:52,265
appointments and those sorts of things.
952
00:46:52,265 --> 00:46:54,305
What would you suggest given your,
953
00:46:54,365 --> 00:46:56,255
you know, process that
you've been through?
954
00:46:56,615 --> 00:46:57,785
Look, it never goes away.
955
00:46:57,815 --> 00:47:00,845
You know, I, I'd be disingenuous
to say, oh look, I'm so zen now.
956
00:47:00,845 --> 00:47:02,330
I just don't, you know, I don't,
957
00:47:05,170 --> 00:47:05,410
I think.
958
00:47:06,060 --> 00:47:10,170
You know, in particular, I deal with a lot
of people with health anxiety and I used
959
00:47:10,170 --> 00:47:15,360
to, I think, be far more flippant of it,
or dismissive of it, or you know, and now
960
00:47:15,360 --> 00:47:18,120
I understand it needs to be listened to.
961
00:47:18,600 --> 00:47:24,330
It needs to be taken seriously, and you
need to understand what your patient needs
962
00:47:24,330 --> 00:47:27,240
in order to feel better about things.
963
00:47:27,270 --> 00:47:29,970
So do they need extensive investigations?
964
00:47:30,480 --> 00:47:34,799
Just because, you know, doing the
Toyota service is gonna prove to them
965
00:47:34,799 --> 00:47:38,460
that they're fine and then they'll
go off and be happy or you know,
966
00:47:38,460 --> 00:47:40,080
is there something underlying it?
967
00:47:40,080 --> 00:47:44,730
I think for me, the thing I've learned
the most, and this ties in with being a
968
00:47:44,730 --> 00:47:49,590
writer and a reader, is looking for the
subtext, looking for what's not being
969
00:47:49,590 --> 00:47:55,170
said or what hasn't been put down on the
page in that you're listening for story.
970
00:47:55,575 --> 00:48:01,395
So if you know Mrs. Kafu comes into me
for the 10th time in a month with a sore
971
00:48:01,395 --> 00:48:04,500
throat or I don't know anything, mm-hmm.
972
00:48:05,085 --> 00:48:07,305
I can then say, yeah, here's
another lot of antibiotics, or
973
00:48:07,305 --> 00:48:07,995
There's nothing wrong with you.
974
00:48:07,995 --> 00:48:08,385
Go home.
975
00:48:09,555 --> 00:48:14,535
Or I can say, I can turn around and I
can say, what is going on in your life?
976
00:48:15,105 --> 00:48:19,335
Why are you getting this chronic,
whatever that you are coming in with?
977
00:48:19,395 --> 00:48:20,355
What's happening in your life?
978
00:48:21,135 --> 00:48:24,795
Now, I'm not saying it's all in
the head, but I'm saying there's
979
00:48:24,795 --> 00:48:28,065
no, in my books, there's no
dotted line between body and soul.
980
00:48:28,065 --> 00:48:28,725
Call it what you like.
981
00:48:29,300 --> 00:48:29,720
Mm-hmm.
982
00:48:29,860 --> 00:48:35,760
And so I think for me, I. Listening to
the story is important across the board,
983
00:48:35,820 --> 00:48:39,210
and I'm not sure how that ties into
death, but you know, somewhere there.
984
00:48:39,750 --> 00:48:42,360
No, I think that's
really good observation.
985
00:48:42,570 --> 00:48:46,800
And obviously it sounds like you've
become a much better practitioner.
986
00:48:47,160 --> 00:48:48,360
Oh, you have to ask my patients that.
987
00:48:48,360 --> 00:48:49,710
They probably think I'm dreadful.
988
00:48:50,850 --> 00:48:52,650
They're always waiting by half an hour.
989
00:48:52,710 --> 00:48:53,400
Oh, Leah.
990
00:48:55,225 --> 00:48:56,210
Are you gas bagging?
991
00:48:56,210 --> 00:49:01,250
Again, I think that waiting for a doctor
is a standard thing, that's for sure.
992
00:49:01,255 --> 00:49:04,100
My tr my, I think my next book
has to be on time management.
993
00:49:05,990 --> 00:49:08,930
Well, the first one was waiting room,
so we, we well and truly got that
994
00:49:08,930 --> 00:49:09,141
one covered.
995
00:49:10,705 --> 00:49:14,154
That came out of my absolute
frustration with waiting.
996
00:49:15,055 --> 00:49:17,125
I used to be the most
impatient human being.
997
00:49:17,125 --> 00:49:18,415
I couldn't wait for anything.
998
00:49:20,005 --> 00:49:24,325
So your, it sounds like your
entire collection of works is
999
00:49:24,325 --> 00:49:27,295
a, is a really a way of working
through your therapy there, Leah?
1000
00:49:27,535 --> 00:49:27,625
I
1001
00:49:27,625 --> 00:49:28,015
think so.
1002
00:49:30,234 --> 00:49:31,975
Well, the world is richer for it.
1003
00:49:32,065 --> 00:49:33,355
Geraldine Brooks Got it.
1004
00:49:33,380 --> 00:49:34,160
Beautifully.
1005
00:49:34,160 --> 00:49:35,450
If I can sum up, yeah.
1006
00:49:35,540 --> 00:49:39,560
I listened to one of her Boyer lectures
and it said, she was talking about home
1007
00:49:39,560 --> 00:49:43,100
and the whole idea of home, and she
said that the word comes from an old
1008
00:49:43,100 --> 00:49:46,760
Norse word called Hempter, H-E-I-M-T-A.
1009
00:49:47,270 --> 00:49:50,480
It means to come home, but
it also means haunting.
1010
00:49:50,600 --> 00:49:54,770
And what it sort of came to me for
me is that really the ghosts, the
1011
00:49:54,770 --> 00:50:00,170
haunting, the history and what came
before us actually brings us home.
1012
00:50:00,750 --> 00:50:04,890
Into ourselves and our heritage and
grounds us in where we came from.
1013
00:50:05,009 --> 00:50:05,819
Wow.
1014
00:50:06,060 --> 00:50:07,290
It makes perfect sense.
1015
00:50:07,290 --> 00:50:11,819
And what a beautiful way to, I
think, conclude our chat today, Leah.
1016
00:50:12,930 --> 00:50:14,069
Thank you Catherine.
1017
00:50:14,759 --> 00:50:15,569
No problems.
1018
00:50:15,569 --> 00:50:18,240
Is there anything else that you'd
like to share with our listeners?
1019
00:50:18,569 --> 00:50:18,930
No, I
1020
00:50:18,930 --> 00:50:21,330
think you just don't put off anything.
1021
00:50:22,379 --> 00:50:22,440
Yeah.
1022
00:50:22,440 --> 00:50:23,795
And if, if, you know, if you wanna do.
1023
00:50:25,695 --> 00:50:28,365
Like you wanna be a writer, go and write.
1024
00:50:30,200 --> 00:50:30,810
Fantastic.
1025
00:50:30,855 --> 00:50:32,715
You wanna be a pole dancer?
1026
00:50:32,715 --> 00:50:33,225
Off you go.
1027
00:50:33,495 --> 00:50:34,695
Do some classes.
1028
00:50:34,695 --> 00:50:35,295
I dunno.
1029
00:50:35,295 --> 00:50:36,405
Whatever lights you up.
1030
00:50:36,975 --> 00:50:38,475
Yeah, I think that's great.
1031
00:50:38,475 --> 00:50:39,795
That's very good advice.
1032
00:50:39,795 --> 00:50:45,225
Well, I can't thank you enough and I'm
so pleased that I met you at Frankston
1033
00:50:45,225 --> 00:50:46,935
City Library just before Christmas,
1034
00:50:46,995 --> 00:50:48,795
and thank you for what you do, Catherine.
1035
00:50:48,795 --> 00:50:50,865
I think it's incredibly important.
1036
00:50:51,375 --> 00:50:52,490
Oh, thank you so much, Leah.
1037
00:50:55,710 --> 00:50:59,129
We hope you enjoyed today's
episode of Don't Be Caught Dead,
1038
00:50:59,430 --> 00:51:01,200
brought to you by Critical Info.
1039
00:51:01,950 --> 00:51:06,210
If you liked the episode, learn something
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1040
00:51:06,210 --> 00:51:08,040
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1041
00:51:08,279 --> 00:51:11,910
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1042
00:51:11,910 --> 00:51:13,650
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1043
00:51:13,830 --> 00:51:15,480
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1044
00:51:15,710 --> 00:51:19,700
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1045
00:51:20,030 --> 00:51:21,350
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1046
00:51:21,500 --> 00:51:22,490
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1047
00:51:22,490 --> 00:51:26,390
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1048
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Read Less
Resources
Leah’s Books Mentioned:
- Visit the Website: Leah Kaminsky
- My Loved One Has Died, What Do I Do Now?
Our guide, ‘My Loved One Has Died, What Do I Do Now?’ provides practical steps for the hours and days after a loved one's death. Purchase it here.
- Support Services
If you're feeling overwhelmed by grief, find support through our resources and bereavement services here.

